Last night’s newscast told of an historic “find” in Ludlow, Vermont:
The thrill of the find centers around PETER THATCHER WASHBURN, a Vermont hero of the US Civil War, and late in life 33rd governor of the state. Read all about the marriage ledger and Washburn at the United Church of Ludlow (scroll down to the story “Historic Record of Vermont Civil War Hero and Governor Discovered”).
Very humbling, living in the Champlain Valley, to hear of the extreme devastation southern Vermont has undergone in the aftermath of Irene.
A college friend hailed from Chester - Chester is one of several places literally cut off: no one can get out or in, due to roads, bridges, etc etc.
The Bartonsville historic Covered Bridge got washed away, and Quechee’s covered bridge lost both its approaches.
Bennington and Brattleboro, two communities near the Massachusetts border, were under water.
Sad news continues to reach us:
Undoubtedly, some of the same regions hits with “historic” flooding this past spring were victims of the hurricane’s flooding: places like Waterbury, Montpelier (the state capital), and Barre. On the news last night was more the “aftermath”: quick-rising water that had by then departed — leaving a trail of devastation and mud.
Great article in our local “7 Days” magazine on bookstores — most of which sell used books (my personal favorites). I’ve been to most of them over the years. It’s always great fun to find a book you never ever knew about, sitting, dusty, on some piled upon shelf… But I have to admit that I internet book-look almost as much, intent on particular titles. The farthest away a book has ever come? Australia! That was a bio on Queen Charlotte (1976; the only one around really), by Olwen Hedley. She also wrote a terrific “biography” of Windsor Castle! (among other offerings, I see, when I search her name on bookfinder.com [my favorite site])
In fact, up in St. Albans this summer, I stopped by The Eloquent Page; I hadn’t been in since their move into the present building. Found a great book in which WILLIAM GOSLING (Mary’s father) was mentioned!!!
Unless you seek, you never find books you didn’t know to be out there….
Enjoy the article — and patronize these shops, if you get the chance.
Queen Charlotte, of England – royal bookworm?
Read: Miss Smith meets the Queen Read the rest of this entry »
As I hone the earliest chapter of my book — which will set the tone for the whole, I pick up once again a book owned since 1990: A Midwife’s Tale: The Life of Martha Ballard, based on her Diary, 1785-1812.
Laurel Thatcher Ulrich won the Pulitzer for this history of Martha Ballard, Hallowell (Maine), and Ballard’s life as midwife.
I remember well finding this book. We used to have a small “family” bookstore not too far from where I lived in Essex (this, in the years before stores like Burlington’s Chasman & Bem and then the mega-mega Barnes & Noble in South Burlington). In its earliest years it was called The Little Professor; another branch (same owner? I’ve no idea) did once exist on Church Street, in Burlington — but I’m not sure it was still there at this time. In both shops, there were creaky wooden floors, the cash to the right of the door, and simple shelves along the walls and in the middle of the store.
In Essex, I always took a look at the foreign coins on sale in the case straight ahead from the door; bought a couple over the years: British shillings and old Irish pence. Then you came to the modest “History” section. Just four or five shelves, with room to display some books face on, while others just showed their spine-titles.
Crouched to look at the shelves nearest the floor is how I came face-to-face with Martha Ballard. Was it the title? Maybe it sat with its front cover peering straight at you. But I can bet it was the earliest book based on a diary that I purchased; as well, the earliest in which a woman from some historical period of the past was discussed.
Needless to say, my collection has grown since!
But it is interesting, as my book begins with Mary Gosling’s travels, in particular to Oxford, and I envision the hubbub of readying horses and carriages in the stables attached to a grand London home of a rich banker, to see that Ulrich begins with the mighty river of the Kennebec – frozen river, rushing river, spring freshets. There is much for a writer to learn in READING the writing of others.
So I close this brief mention of Martha Ballard, by including a link to a long-standing website in which the original diary — in transcription as well as in its handwritten form — can be seen: DoHistory.org. It is also a great opportunity for blog readers to see an original diary!
Few realize that I wear many hats in this research: research “assistant”, transcriber, typist among them. Pick up any published book by a well established writer and there’s someone who helps find material, someone else who prepares material for the author. Sometimes I feel like a one-man band! Just wish I could pursue it 24/7. So this website is a wonderful opportunity for readers to see not only an original document, but what can be done with and to it. I sure wish I had the possibility of ‘enhancing faded ink’, as mentioned on this page. And as I’ve worked both with microfilm as well as original documents, the photos displaying glare retouched and shadows lightened shows what technology can do.
I have had such “technology” thoughts, when transcribing Augusta Smith’s 1798 diary (the Mark Woodford Diary) — she must have recorded IN PENCIL many of her petty purchases and wins or losses at cards, now only faint indentations on the page. Each gives information about life in English society at that moment, and is precious; I managed to decipher just a few — I’m sure “technology” could uncover more. Though few beyond me would revel in such ‘trivia’.
An interesting item to note is Ulrich’s discussion of earlier uses of Martha Ballard’s diary: an 1870 history of Augusta, Maine by James W. North; another History of Augusta by Charles Elventon Nash, in which “a third” of Nash’s 600-page book consisted of an abridgement of Martha Ballard’s diary (mainly birth/death information evidently); as well as a 1970s “feminist” history of midwifery. Each time Ulrich gives readers what those earlier authors thought of Ballard’s diary: “with some exceptions not of general interest”, “trivial and unimportant”, “filled with trivia about domestic chores and pastimes”. But life is “trivia”-filled and often not more than “daily chores”. Whenever I read about The Memoir of Jane Austen or Henry Austen’s short “biography” being negatively cited because they claim that Austen’s life was nothing more than “uneventful”, I ask myself: whose life IS truly “eventful”?? I could never say mine is. So what do present-day English professors really want Austen’s life to have been characterized as? Was Martha Ballard’s life “eventful”? To her, even the tragedies of her life were just everyday occurrences. But that can never remove from lives like hers, like Austen’s, like Mary’s or Emma’s, the human drama bound up in that very “trivia” of daily life.
Ulrich discusses how Ballard would be nothing more in the history books than a birth date, a death date and in between notations of marriage and children. But — because her diary was written, kept and still exists — she too exists.
One newspaper article that recently grabbed headlines concerned a piece of FABRIC long kept at the Coolidge Museum in Plymouth, Vermont. Why was it news? Why is Kelly blogging about it? Read the article for yourself (from The Burlington Free Press):
It turns out the brown and white linen was the table covering in place on the night of Aug. 3, 1923, when Coolidge was sworn in by his father following the sudden death of President Warren Harding.
The note read: “Cover which was on the mahogany-topped table in the sitting room of father Coolidge’s house in Plymouth, Vermont on the night of August 3rd, 1923” and was initialed “G.C.,” said Amy Mincher, a collections manager at the site.
It had been thought that a green tablecloth with an embroidered border had been on the table that night.
The research was funded by the federal Institute of Museum and Library Services. The money allowed the site to hire Mincher to inventory and catalog the site’s holdings.
So what items out there, besides portraits of course, have been found to have once been owned by the Goslings and Smiths; what items might have been alluded to, in letters or diaries (LOTS!).
Writing about the Oxford days of William and his younger brother Robert, I find it curious that William attended Oxford, but seems never to have taken his degree. Am investigating why that might have been the case!
Anyway, was this a parting gift? He matriculated in 1812 (aged 17), was still at Brasenose when the family visited campus in summer 1814. By 14 July 1815, he would have obtained his majority, and perhaps left school to work in the family banking business. That I know so much about William, and yet so little, is very annoying.
He was obviously a passionate collector of art; not only had he commissioned portraits of his dogs, he owned other pieces — like this engraving of The Widow, also be Edwin Landseer:
William Ellis Gosling also endowed schools, left money (in his will) to colleges and universities, and even for the organ of St. Dunstan’s in the West.
This past Sunday, our JASNA chapter hosted current JASNA President Marsha Huff. She gave her noted talk comparing Johannes Vermeer’s artwork and Jane Austen’s artistry.
Two intriguing thoughts which were brought up during the talk include the observation that Mansfield Park (which Marsha thought had still to find its definitive screen representation) is a dialogue between events as seen by FANNY PRICE and events seen by EDMUND BERTRAM. Hmmmm…, I can’t say I ever noticed that! So must put MP on my list of to-be-read-soon books.
BTW, I did recently watch on YouTube the Rozema Mansfield Park. Wonderful to see Jonny Lee Miller, such a strong actor in both of his essays upon the Austen stage. Interesting to utilize Austen’s juvenilia; but a bit uncomfortable with the overtones assigned to Miss Crawford. And the actress who played Young Fanny — Hannah Taylor-Gordon — just made me think how wonderful she might be cast as my Emma — but more on my dream-casting of a film in some later post.
You can read about Rozema, Mansfield Park, and Fanny Price at JASNA.org.
One Vermeer picture that grabbed my attention concerns a LETTER-READING Lady, how appropriate! As Marsha spoke about the work, discussing how Vermeer had made changes to it (discernible thanks to x-ray technology) and compared it to the “cancelled chapters” of Persuasion, one began to see how all artists work until it pleases themselves. Sometimes we are our hardest critics!
Thank you, Marsha, for coming to Vermont and sharing your thoughts on Austen, Vermeer, art and writing. Marsha even had a few complimentary thoughts on my Mary & Emma research. Always nice to be noticed.
Vermeer spent his life in Delft; the closest I ever travelled to that was Brugge, 123 miles to the south and in Belgium rather than The Netherlands. My mother and I were there in May, and even that early in the year the light was phenomenal! How well I recall wanting to tour the city with its lights on, but I had to wait until 11 p.m. — and even that late in the evening the sky was only dusky.