Willoughby & Marianne: What Opera?

August 25, 2010 at 8:46 am (books, people) (, , , , , , , , )


Coming in to work today, the radio announced the birthday of Leonard Bernstein, born in Lawrence, Mass in 1918. Who knew he was born in New England; not me (but then he was “big” when I was a kid, so put it down to that).

Anyway, tangled up with morning thoughts of work, reading (Sense and Sensibility, of course!), and Lennie — came a thought that I toyed with a few days ago, but now put out in the blog-o-sphere:

Near the end of Sense and Sensibility, when Willoughby has irrevocably left, and Marianne has survived her illness, she goes up to her pianoforte and fingers a piano reduction operatic score. So my question, and I’d love it if operaphiles and Janeites alike might give their thoughts:

What OPERA would Willoughby and Marianne have been likely to play through?

A comic opera? An English opera? A tragedy? Something old, like Handel; something totally new and playing in London the last season or two?

The entire quote (Chapman, 342):

“After dinner she would try her piano-forte. She went to it; but the music on which her eyes first rested was an opera, procured for her by Willoughby, containing some of their favourite duets, and bearing on its outward leaf her own name in his hand writing.”

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