The Envelope, please…

October 16, 2010 at 11:10 am (news) (, , , , , , , , , , , , , , )


Such good news came in yesterday’s post, even if slightly damp and limp thanks to generous all-day rain:

From the Annual General Meeting committee, 2011 – Fort Worth, Texas. My paper proposal was accepted for the AGM covering “Jane Austen: 200 Years of Sense and Sensibility“!!

Must admit to coming up with a great topic, one very apropos for my likes and interests — and for which I must thank Natasha Duquette and Elisabeth Lenckos; without their request for book chapters (mine on drawing, writing, and music in three Jane Austen novels), I would never have thought along the lines I did for this paper proposal.

The title says much about its content, and I include a short teaser description:

 “A House Divided? How the ‘Sister Arts’ Define the Dashwood Sisters”

In Sense and Sensibility, Jane Austen consciously chose for eldest sister Elinor Dashwood a desire to practice the art of drawing; for middle sister Marianne, that of making music. What does this simple choice of dividing the sister arts between sisters imply for their characterizations?

With the artistry of Elinor and Marianne manifested in Elinor’s drawings adorning walls and Marianne’s music-making filling the parlor, visitors to Barton Cottage (readers included) have treats for their eyes and ears; likewise audience members attending this talk will be treated to the sights and sounds of the early-nineteenth century.

So, members of the Jane Austen Society of North America, accept this early invitation to “Barton Cottage” (aka some small conference space in the Renaissance Worthington Hotel) to attend my talk! Yeee-ha!

***

An aside: the Kimbell Art Museum is in Fort Worth; it houses the wonderful self-portrait of perhaps my favorite artist: Elisabeth Vigée Le Brun (view the portrait). The best Vigée Le Brun website is at batguano. TONS of information on the artist, her life AND work; just superb images culled from all over the world. Among the books on the site is the Kimbell Exhibition catalogue; I can recommend also the biography by Angelica Goodden (The Sweetness of Life) and her source material, Sian Evans’s translation of Madame Vigée Le Brun’s Souvenirs (“Memoirs”).

My last-spotted portrait is in the wonderful Museo de Arte de Ponce (a fabulous place! Puerto Rico’s gem!), the Comtesse de Chastenay.

My VERY FAVORITE portrait, which started this craze, is the evocative Countess Ecaterina Vassilievna Skavronskaya (thank you, Svetlana, for telling me about the Musée Jacquemart-André , Paris!)

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