I’ve WATCHED “Jane Austen: The Unseen Portrait?”

January 2, 2012 at 9:32 am (chutes of the vyne, estates, history, jane austen, portraits and paintings, research) (, , , , , , , , , , , , )


Ah, seek and indeed ye shall find. Yesterday, about noon, I came upon a full, uninterrupted showing of Jane Austen: The Unseen Portrait?

I found the differing paths taken to gain information about the portrait exceptionally interesting to view. After all, everyone whose research utilizes primary material must (1) discover it; (2) verify it; (3) keep an open mind about whatever turns up; and (4) ultimately reject, support, or present both sides of the argument.

I hope to have more to say, later, but right now I want to discuss an “image” that flashes — twice — on the screen that may puzzle people, or, more likely, totally fly by them:

Both show (as above) Paula Byrne‘s face reflected on her computer screen, and a portrait image that’s up on the computer, which she contemplates. The image is NOT the “Austin” portrait, but the portrait of Maria Lady Compton/Lady Northampton, which the book A History of the Comptons of Compton Wynyates designates as on vellum and done by “her sister Mrs Chute”. The image below is that found on this blog’s Portraits page:

Pity, then, that no discussion on the TV show about this “known” portrait took place. I have a feeling that the original was not located in the two most logical places: The Vyne nor Castle Ashby.

The Vyne was Eliza Chute’s Hampshire estate (now a National Trust property; near Basingstoke); Castle Ashby is still a private residence, then and now owned by the Marquess of Northampton. Seneca Productions contacted me to see if I knew more about the portrait; they were in contact with The Vyne already (so nothing there, I gather), and I gave the Castle Ashby contact information I had — and waited to hear more (but have heard nothing).

  • I’ve a couple questions on this portrait, and the 1930 book from which it comes (published in a very limited edition of 200 copies. Any reader resident in the New York City area who would be willing to visit the New York Public Library, please contact me (see “the author” for contact information).

The interesting thing about the two portraits: “Jane Austin” is shown in the act of writing; Maria Compton is holding what I suspect are “plans” — and wasn’t Maria and her husband at one point knee-deep in “updating” their accommodations at Castle Ashby…

I used to be somewhat disappointed by this portrait of Maria, but putting it side-by-side with the “Austin” portrait, it now looks pretty good.

* * *

NB: By the way, I’m GRATEFUL for ALL the portraits I unearth: I now have two of Lady Northampton, this one and a profile view done by her niece Augusta Smith. I’ve a number of Emma, at least one of which looks nothing (really) like her. Until the advent of photography (and even then, don’t we all say: “That’s a horrible picture of me”), images depended on the artist, the amount of “flattery” in altering the sitter’s image, and oh so many other things. Even “Unseen Portrait” host, Martha Kearney, felt flattered at the portrait drawn of her during the show!

Images make no difference about how I perceive the “inner” Emma and Mary et al — but I sure LOVE to see all representations of them and the rest of the family.

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2 Comments

  1. Cathy Kawalek said,

    Hi, I live in the New York area and would be happy to check out the resource for you. Please email me at the address I submitted below and exactly what you need. Cathy

    • Janeite Kelly said,

      Hi, Cathy — I replied (at length!) over email, but had internet connection problems, so let me know if you did NOT get the email. I leave it up to you if, after seeing the task at hand, you still want to volunteer for a visit.

      cheers!

      k

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