Readers might be interested to know what brought about my recent Mrs Delany interest:
I ADORE the title of this book – the way the “sub-title” is inserted in parentheses on the edition I first spotted — and NOT included in the above image, so I’m forced to include this second (Canada) cover image:
Which the eye sees as
Mrs Delany at 72
while recognizing it says
(BEGINS HER LIFE’S WORK)
It’s always a thrill for me, someone in “mid-life”, to remember that others have trod the same path before me: Working on our life’s work out of pleasure, if nothing else.
And that says a lot about Mrs Delany and her flowers – two of which you see depicted on this book’s covers.
I must comment that it was the inclusion of MRS DELANY’s name on the cover that made me stop and look… That, especially, should NOT have gone by the wayside in any redesign….
Molly Peacock describes in her online chapter what it might have been like, sitting by Mrs Delany as she scored and snipped. Made from paper, her “flower mosaicks” look gloriously realistic.
Why did this title intrigue me? I’ve never forgotten reading, in The Story of the Trapp Family Singers, its author (Maria Augusta Trapp) telling a tale about grasping a bell pull to give its bell a ring and shouting out that she wanted to be an author after age 40. Then she was asked if she knew the legend of the bell. No, she said… This spoke to me even before I was 40!
So when I go up to UVM Saturday (remember: no summer classes –> no library open past 5pm at local university!) I’ll also take out titles I’ve flipped through but never borrowed:
This is an exhibition catalogue; you can view more of Mrs Delany’s work at the British Museum.
And the “classic” biography is a must-get.
To READ Mrs Delany’s own words, see my prior post about Mrs Delany’s Letters. Readers of Two Teens in the Time of Austen will know of my fascination with letters, diaries, and their resultant publications (which certainly save perusers’ eyesight).