One of the delights of Jane Austen filmdom: Alan Rickman’s Colonel Brandon.
He brought a gentleness to the role that really characterized the “second chance” at happiness.
One of the few actors with a very distinctive and “calming” voice. He will be missed.
After a quarter-century AND with a fourth volume projected for the series, actor/writer Simon Callow‘s comments, thoughts, frustrations, and triumphs are a revelation! Actually make ME FEEL GOOD about my own work (though can two unknown English girls compare to the world-famous Welles?).
SO MANY “bells” going off, as I read:
- “Multi-volume biographies are by no means encouraged in the trade…” [_I_ LOVE them; and the BIGGER the better (as long as the bio is GOOD…)]
- “I [Callow] was determined that, unlike the Laughton book – for which I had simply seen all the films, read all the available published sources and interviewed a few easily accessible people – the Welles biography would be a work of serious scholarship.” [my emphasis]
- “I crossed the US plundering archives, libraries and museums, obsessively photocopying and microfiching, peering at blurred and fuzzy documents which took long and painful months to decipher; I went through the European collections, I tracked down obscure doctoral theses, again painstakingly photocopied – no internet, no email, back then, of course.” [1989 marked the inception of the project]
- “If I had carried on, the book would have been hernia-inducingly heavy, and it would have been a gabble.” [Callow on WHY there’s to be a fourth volume]
- “He [Welles] was fearless in his experiments, and he never did any of it for the money, just for the sheer joy of making films. Because of this, he has inspired more directors than any other film-maker, but he leaves no legacy” [that is a SAD thought to have about such an artist]
Click on book to read The Guardian‘s article
“Lives don’t have plots, they have
only movements and phases. The good biographer tries
to resist the rut of merely telling one thing after another…”
— reviewer, Anthony Quinn
Author, editor, researcher Margaret Bird has recently made three podcasts available on her Mary Hardy and Her World website. The subject matter touches on the fascinating topics of the clergy, children, and local militias:
- ‘A person in black, sent to you from afar’: the Evangelical clergy’s awakening of the flock in rural Norfolk 1773–1813 [Royal Holloway, University of London; February 2010]
- Inculcating an appreciation of time pressure in the young: the training of children for working life in 18th-century England [Royal Holloway, University of London; March 2015]
- ‘Trust the people’: the English approach to arming and training the ‘mob’ 1779–1805 [Institute of Historical Research, London; October 2015] [1 hour and five minutes]
The podcasts are Illustrated! I am especially intent upon ‘Trust the people’ – for Lord Northampton (the first marquess; Emma’s uncle), Thomas Chute (another uncle, brother to William Chute of The Vyne), and Spencer Smith (Emma’s brother, serving a few decades later) all had ties to local Militias.
- of my YouTube posting upon first receiving copies of the 4-volume set of Mary Hardy’s diaries.
- Regency Read’s commentary on the diaries
- Margaret Bird in conversation (with me) on this blog Two Teens in the Time of Austen
* * *
UPDATE: Am in the midst of trying my first listen: the PowerPoint presentation is a .pptx file you are asked to save; I don’t have .*x programs on my computer and my Reader is old, too. The audio is “downloading”; I had expected it to stream and play. An alternative (at least for the third podcast, from IHR) is found on YouTube. Illustrations are NOT on screen; with streaming audio.
You may have gotten the idea, from the previous post, that I’ve been working on a diary – which (I believe) has no “beginning” and no “end”. Written in 1819, the volume begins at Plymouth Dock on Saturday August 28th; it ends at Glastonbury on Wednesday September 29th. I would presume that Emma (Aunt Emma; I should be specific and differentiate between the two “Miss Emma Smiths”) left and returned to Erle Stoke Park, her deceased father’s Wiltshire estate. Emma could be found there into the spring of 1820, when letters discuss her packing up the house; in its bareness, it’s looking forlorn and melancholy.
Joshua Smith (above) had died earlier in 1819. At one point Aunt Emma makes an oblique reference to the lonely feelings his death produced in her, his youngest (now “orphaned”) daughter. Otherwise, the diary really doesn’t discuss must of a very personal nature. She tours, meets people, loves places, hates places, has a horse go lame, and sketches a few times. Although I don’t have an image of the fly leaf, I suspect it was blank – or at least not ID’ed by Emma herself (a later owner sometimes writes in them). Therefore, except for the fact that it was one of MANY items belonging to Emma Smith of Erle Stoke Park (not the designation the library gives her, by the way), how could ANYONE know who wrote such a diary?? – if the beginning of this trip, or its end turned up as a single volume, for instance – there probably is NOTHING within it that ID’s Emma in any way. She doesn’t mention her name; she has no parent, relation, or named-companion. All there is that ID’s her is her spiking handwriting:
Very distinctive, isn’t it?
And I have access to OTHER travel diaries, one of which (from 1794) is referenced in this 1819 diary – for she heartily wishes to see once again the estate known as Fancey (or Fancy?) in Devonshire, where she stayed as a younger woman with all her family. That trip, too, “ends” because the booklet ends; but most travel diaries seem to depart from home and return there. These two volumes do not.
So, if out there with (really) no clues about the writer beyond “woman”, I started looking in some obvious places for a further continuation of this 1819 diary: in the Wiltshire Archives, in the Devon Archives, in the Plymouth Archives. Of course, not ALL items are listed online. And without SEEING the writing, I cannot guess ‘yes’ or ‘no’ when the online description gives ANONYMOUS DIARY as a sole indentification; not even a DATE!
A few interesting items did turn up. For instance, I found the website EARLY TOURISTS IN WALES, which I discuss at greater length on my Ladies of Llangollen blog. I took yet another look, this time concentrating on the “Anon.” entries, at William Matthews’ British Diaries: An Anotated Bibliography (there are others out there, including the Ponsonby series). Oh! there are so many anonymous diaries; any of them could be by ANY of the Smiths (given a certain time parameter, of course).
One he mentions – for 1819 – is most tantalizing: “Travel diary, July-August, 1819: pleasure and business trip to Dublin and back; acute observation and dry humor; one of the better travel diaries.” It is held at the Wigan Public Library, part of the EDWARD HALL COLLECTION (if Matthews’ information, from 1967, still holds).
The use of the term BUSINESS makes me presume a male writer; though: you never know; Emma DOES write that same word at last once in her diary. It would be most intriguing to think that she went further afield – to Dublin – and then to Devonshire. It IS possible.
MY Emma (young Emma, as she is sometimes called in the family in the 1810s) [though, PLEASE, do not think of Aunt Emma as “old Emma”!! she wouldn’t like that…] seems to have made very little mention of her aunt in her diary for 1819. Though strife in the family cannot be discounted as a reason for silence.
In short, I simply do not KNOW where Aunt Emma went or what she did, except for these few weeks.
But what a pipe-dream to take with me throughout 2016: the idea of putting a name to some ANONYMOUS diarist’s volume.
Best Wishes to you, for a happy & healthy 2016