To follow up on the DAR post, for those who may be interested in the EXHIBITION catalogue of their costume installation:
“An Agreeable Tyrant”: Fashion after the Revolution – What’s a patriotic American to wear? is described as: “Paperback, 196 color pages, lavishly illustrated with portraits and fashion plates of the period as well as the garments on display. In addition to the extensive catalog entries, there are five essays by leading experts in the field, a selected bibliography for further reference, and over twenty scaled patterns of men’s and women’s garments seen in the exhibit.”
$35 (plus shipping, which I didn’t look up) from the DAR Store’s website.
To SEE the exhibit, you only need to get to Washington DC before it closes in 2017.
Breaking news, just told to me by a friend in the area of Exeter (England):
The Royal Clarence Hotel, in the center of Exeter, Devon had been burning all day since early yesterday morning (28 Oct 2016) – and news stories now say the edifice is collapsing. A ruptered gas line helped fuel the fire. A drone will help assess damage, but from pictures I look at as I type, so much of it has been destroyed (and that’s not even looking at the interior).
Described as England’s oldest hotel, the building actually has a Smith & Gosling connection: adjoining it was Praeds Bank (1769). The hotel was originally “Assembly Rooms” brought into being by William Mackworth Praed (Emma Austen’s great aunt was born Susannah Mackworth Praed, before she married – in 1800 – Thomas Smith).
Because of the “family” connection, my friend brought me here in 2014; and we had lunch at the cafe next door.
This is very close to Exeter Cathedral; services and a concert have been cancelled.
REALLY hard to hear that the fire broke out in a gallery that was undergoing RENOVATION – that was the tale for the theater fire that destroyed La Fenice (Venice’s renowned opera house) back in 1996.
Of course, as a hotel, paying guests were in their rooms when the fire broke out. No one seems to have gotten hurt.
- breaking news on BBC: Exeter Fire: Royal Clarence Hotel Collapses due to Fire
<=The Royal Clarence, Exeter, a year ago (2015) And “today” (29 Oct 2016) =>
Although I have been to WASHINGTON DC several times over the decades, I had never entered the fabulous building that houses the Daughters of the American Revolution. WONDERFUL “period room” exhibits, and for the JASNA group an added incentive: the costume installation entitled, “An Agreeable Tyrant: Fashion after the Revolution“, which opened October 7 (2016) and runs until April 2017.
With the Jane Austen Society of North America’s Annual General Meeting (the JASNA AGM) having taken place this past weekend (21-23 October) in Washington DC – my own paper “Sketching Box Hill with Emma” being presented in the afternoon of the 22nd – there were a lot of costumes on parade in Washington. I don’t pretend to know much, but I have a stash of very useful books – for I would like to envision what my Emma and Mary would have worn. From a comment or two in the family correspondence, Mary (especially before she was widowed in 1831) was careful to look the part of a smart & stylish London Lady. The Gosling ladies had their step-mother’s shoes to step into: the Hon. Charlotte Gosling (née de Grey, related to the Barons Walsingham) was a serious society hostess in the 1810s. Every spring, during “the season” Mrs Gosling hosted routs, concerts, and parties. Her husband’s dinners are also found in the newspapers (yes, men gave ‘dinners’, but women gave other entertainments).
It still boggles MY mind that their parties could attract 300 to 600 people. How is that possible?? such a crowd in a small townhouse (No. 5 Portland Place, London).
But, to get back to the DAR.
JASNA members had morning “free”, and the DAR Museum was my one and only choice for a place to go. Thankfully, many other members had been already; for the most part I could look, read the brochure (one per room), and savor furnishings and costumes by myself. The room that stands out most is the one paneled in wood from the salvaged ship AUGUSTA. Jacobean in nature, with a lengthy table, the dark wood and colorful stained glass windows makes for a room that I’d happily spend time sitting in.
And the fact that the ship was called the AUGUSTA – the name of TWO of my ladies in the Smith family (Emma Austen’s mother and sister; never mind a slew of Augustas born in the 1820s and 1830s…).
But what really brought me to visit the DAR (free entry a big inducement) was the curator’s talk, which took place on the Thursday (the day I landed in DC) of last week.
I missed the first half of the talk, having to find the hotel, check-in, register for the conference, and get to the room – but was in time enough to hear the speaker Alden O’Brien toss off the intelligence that SHE WAS WORKING WITH A DIARY.
I pulled her aside at the end of her presentation to hear more, especially: Had she published it.
The answer to that burning question was ‘no’. The diarist – “Sylvia Lewis Tyler (1785-1851), an early nineteenth-century Everywoman, of Connecticut and Western Reserve Ohio” had left thirty years of diaries, and Alden didn’t believe ANY publisher would want that amount of material. Alden said the diary was akin to that which formed the basis of A Midwife’s Tale, the diaries by Martha Ballard [which is online at DoHistory; printed copies were also produced].
I truly do Hope She is Wrong. I can actually think of diaries that I’ve gotten copies of BECAUSE they were the “complete” set. But, in this day and age, it is a tough sell, to be sure.
Alden did say that she had published articles – and it was in looking that I found a her Common-Place post from 2011, all about her thoughts on SYLVIA’S DIARY.
Her comments, in the article, reminds me so much of a diary that I believe is being published in the spring 2017, concerning the diary of a Vermont woman that a friend (and former colleague) has been working on for over ten years. (More on that later.) Sylvia was a spinner and sewer. She lived in Bristol, Connecticut as a girl (her diaries begin at age 15), and textile & clothing is also an interest of mine – as far as production goes. I used to be a keen sewer and knitter; though I’ve never spun or weaved.
From the article: “I was taken aback when the archivist deposited nineteen manila folders before me, each containing a small, slim, hand-made volume.” Thirty years of Sylvia’s diaries. The title page (like that early diary of my Mary Gosling) claimed the diary in the name of SYLVIA LEWIS of BRISTOL.
Sylvia’s diary runs from 1801 (when she was 15 years old) to 1831 (aged 46); two years are missing and a couple of gaps exist. Alden even targeted another Bristol girl’s diary, belonging to an acquaintance! Thus are “projects” born…
Alden asks her readers, “Why did I leap into this project—and why did I stick to it?” Nearly ten years into my own project on Two Teens in the Time of Austen (Mary Gosling and Emma Smith, who – as sisters-in-law, both become related to Jane Austen’s nephew James Edward Austen Leigh), I couldn’t wait to see what she said in reply!
- an abiding fondness for the area (ie, Bristol & environs) and interest in its local history
- Sylvia’s “records are richly informative” as regards social history
- “Most of all, Sylvia herself drew me in.”
“Once I knew the cast of characters in the diary, the entries created a narrative, and I kept wanting to know what happens next.”
I can say yes-yes-YES to the three points above, as regards Mary, Emma, and their (extensive) families and the English history and daily “mundane chronicles” they all have left behind.
An aside: a letter I just transcribed last night, written by Sir Charles Joshua Smith (bart.) [1800-1831], Emma’s eldest brother and Mary’s eventual husband, had this FABULOUS sentence that just called out to me:
“it is very flattering to one’s vanity to feel that there is some one who cares whether one is alive or dead”
If Charles could know how MUCH _I_ care about them all… his vanity would be HIGHLY flattered. And Sylvia Lewis Tyler must feel that same if she could know the loving care and attention her biographer Alden O’Brien is taking over bringing her own “herstory” to light.
I invite you to read Alden’s own words, and to savor 19th century Bristol, Connecticut by checking out this tale from the vault of the DAR. And should you be in the area of Washington DC, stop by – Alden O’Brien might be there!
The finding of Sylvia’s grave makes for truly SPOOKY reading! Enjoy…
If you missed the installation “A CAPABLE BUSINESSMAN” at London’s Lindley Library, Royal Horticultural Society, you’re in luck: the internet is able to help.
Back in August 2016, the RHS posted this press release, alerting fans of Capability Brown that the Society’s copy of Brown’s Account Book was going on public display.
Calling Brown “one of the 18th century’s most successful and pioneering businessmen,” the research into this account book has revealed the “astonishing amounts” paid to Brown – and I can say, for Castle Ashby, by one of the Earls of Northampton! (the 9th Earl being uncle to my diarist, Emma Austen)
“Mostly written in his own hand,” Brown’s clientele numbered 125 individuals in this book alone (dating from 1759 until his death in 1783).
The book descended through family, and – though loaned to the Society in the 1950s – has now been donated to the Society.
The display coincided with the (ongoing) 300th Anniversary of the birth of Lancelot “Capability” Brown.
Clicking on the photo above will bring you to the online “copy” of Brown’s Account Book.
The London Parks & Gardens Trust also featured Capability Brown in its newsletter; some articles are found online.
Not having picked up a paint brush in YEARS, I was looking the other day specifically for artists who paint BOTANICALS; that I found one artist’s blog who showed in words and pictures some thought-provoking work was a bonus I had to share with Two Teen Readers.
This particular post is most INTERESTING, because it tells the consequences to one business (a maker of vellum) when the UK government considered going from vellum to paper. Artist Shevaun Doherty lays out her own thoughts on “what might have been”, which gives the post a personal perspective, too:
But it is Doherty’s sharing her art’s triumphs and challenges that I found especially interesting to read about. And seeing botanicals “under construction,” and how the artist must build up a picture is just a thrill to see (for a picture IS worth a thousand words). For instance, this post from March 2015 called the “War of the Roses“. Or this piece on “Challenges! Painting the Laburnum,” which provided much-needed insight into the work-a-day process of painting botanicals.
Two Teens has a large handful of botanical artists in their company, including the artist Margaret Meen – about whom I’ve written. She taught Queen Charlotte and the royal princesses, but also Aunt Emma Smith and my diarist Emma Smith (aka Emma Austen). I hope in the coming months to see a bit more of their work. Or, at least hear about it. My JASNA AGM presentation touches upon Botanicals – for Mr. Elton mentions flowers that Emma Woodhouse had painted. Thanks to Shevaun’s blog, it’s nice to see the art is alive and well.
This was the scene Last Sunday, at the Victoria Palace Theatre, London:
As you can see, the refurbishment – HAMILTON is to open in October of 2017 – is underway, yet also under-wraps. This (below) was the street scene in the past:
This past summer, stories ran about the refurbishment, including this article in The Guardian, which claims a £30 million price tag.
I must admit, having been in New Jersey (near the site of the Hamilton/Burr duel), and taking in the lyrics so in praise of New York City (“in the greatest city in the world”), it feels as if a little will be lost in translation. NOT that I think fans won’t be queuing for MILES to get tickets.
For once, the BRITISH look forward to something AMERICAN coming to them after being a ‘hit’ in the States (the shoe is usually on the other foot).