Natasha Duquette, as one of the editors (along with Elisabeth Lenckos) of Jane Austen and the Arts: Elegance, Propriety and Harmony, has recent uploaded some reviews of the book. One, by Audrey Bilger in the journal Women’s Studies, mentions my contribution, the chapter entitled, “‘A Reputation for Accomplishment’: Marianne Dashwood and Emma Woodhouse as Artistic Performers”.
“Kelly M. McDonald examines Marianne Dashwood and Emma Woodhouse in terms of their skill as artistic performers and sees the primary lessons that each heroine needs to learn as being linked to their initial stance as artists: Marianne, who is ‘consumed with interior passions,’ must cultivate restraint; Emma ‘[c]onsumed with exterior experiences’ must develop deeper insight.”
This is a chapter that I have not revisited in the recent past, yet, given my 2016 topic for the JASNA Annual General Meeting that celebrated the 200th anniversary of the novel EMMA, the ‘art’ of Emma is definitely an ongoing preoccupation of mine. (My paper was entitled, “Sketching Box Hill with Emma”, also given to the Vermont JASNA chapter in December 2016.) I found, in revisiting the paper AFTER transcribing more Smith & Gosling family letters in October and November, that I had a few new points to make on the subject.
But to get back to Audrey Bilger’s review of Jane Austen and the Arts…
Being an academic press (Lehigh University Press), Jane Austen and the Arts is currently selling for $30 (used; paperback) and up on Amazon. Bilger’s comments on the book as a whole, include:
- “The editors perceive the arts in the broadest possible way, … encompassing painting, music, dance, and theater, … also judgment, taste, morality and ultimately reading and writing as aesthetically charged activities.”
- “An excellent preface by Vivasvan Soni, ‘Jane Austen’s Critique of Aesthetic Judgment,’ explains the meaning of the book’s subtitle.”
- “most of the contributions are theoretically nuanced, especially with regard to the history of aesthetics.”
- “the book’s focus on the arts illuminates aspects of Austen’s work in fresh ways…. Readers familiar with the Austen canon will appreciate the book’s numerous close readings and textual analysis.”
Another review Natasha posted is by Marina Cano, for The Modern Language Review. Cano recognizes the volume as “a highly interdisciplinary and polyphonic study”. Cano is especially enthusiastic about Jeﬀrey Nigro’s “The Sister Artist: Cassandra Austen’s Portraits of Jane Austen in Art-Historical Context”: “he argues, here Cassandra was experimenting with the artistic conventions of her time”.
Cano concludes, “Jane Austen and the Arts is a valuable collection in its exploration of Austen’s involvement in the aesthetic concerns of her time and in its examination of little-studied materials.”
Looking today at books.google I see Jane Austen and the Arts listed as being in 204 libraries worldwide; maybe one of these is nearby, allowing you, too, to dip your toe. Would love to hear from readers on any and all aspects of the book (ie, you don’t even have to comment on my chapter!).