Art and Artifact in Austen

May 3, 2020 at 10:32 am (books, history, jane austen) (, , )


A new book, based on a SUNY-Plattsburgh Conference entitled, Jane Austen and The Arts: A Bicentenary Conference, which took place 23-25 Marcy 2017. I remember it being rather cold and even snowy up here, especially whenever I ferried across Lake Champlain to reach upstate New York. “Jane” always does seem to bring out the extremes of our Vermont weather in March….

Art-Artifact in Austen

Editor Anna Battigelli, the conference organizer, has included articles presented in 2017, as well as some c”omplimentary material, covering all aspects of “art” in Jane Austen’s writing and life.

I well remember this three-day conference. It remains *special* for several reasons: the size was perfect – the enthusiasm high – the scholarship thought-provoking. A highlight was the song cycle “Marianne Dashwood: Songs of Love and Misery“, an original piece commissioned and sung by Meaghan Martin (Douglas Sumi, piano). No CD with the book, I’m afraid! But a peek at the table of contents will give indication of the wealth of topics between the covers:

  • “Portraiture as Misrepresentation in the Novels and Early Writings of Jane Austen” (Peter Sabor)
  • “Jane Austen’s ‘Artless’ Heroines: Catherine Morland and Fanny Price” (Elaine Bander)
  • “Legal Arts and Artifacts in Jane Austen’s Persuasion” (Nancy E. Johnson)
  • “Jane Austen and the Theatre? Perhaps Not So Much” (Deborah C. Payne)
  • “Everything is Beautiful: Jane Austen at the Ballet” (Cheryl A. Wilson)
  • “Jane Austen, Marginalia, and Book Culture” (Marilyn Francus)
  • “Gender and Things in Austen and Pope” (Barbara M. Benedict)
  • “ ‘A Very Pretty Amber Cross’: Material Sources of Elegance in Mansfield Park” (Natasha Duquette)
  • “Religious Views: English Abbeys in Austen’s Northanger Abbey and Emma” (Tonya J. Moutray)
  • “Intimate Portraiture and the Accomplished Woman Artist in Emma (Juliette Wells)
  • “‘Is she Musical?’ Players and Nonplayers in Austen’s Fiction” (Linda Zionkowski and Miriam Hart)
  • “What Jane Saw—in Henrietta Street” (Jocelyn Harris)

You can read the “Introduction: The Intimate Ironies of Jane Austen’s Arts and Artifacts” online, when you click on “Look Inside”. I look forward to reliving some *warm* memories!

 

 

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