The University of Brighton has available online its publication, Profiles of the Past: Silhouette, Fashion and Image, 1760-1960.
- Annebella Pollen: Peering into the Shadows: Researching Silhouettes.
- Bridget Millmore: ‘To turn sideways’ – an Examination of the Depiction of Hair and Head Dresses in late eighteen century Women’s Silhouettes.
- Johanna Lance: Cutting an Elegant Figure: the Fashionable Male Silhouette, c1790-1820.
- E-J Scott and Lou Taylor: The Impact of Neoclassicism on Silhouette Art in the late eighteenth century.
- Suzanne Rowland: Fashion, Ageing and Identity in Regency Silhouettes, 1810-20.
- Pallavi Patke: The Silhouette as Portrait and Conservation Piece, late 1830-1840s.
- Gabriella Mihok: Shadow, Dress and Identity, 1890-1914
- Jaclyn Pyper: The Material Culture of Nostalgia: Hubert Leslie, Baron Scotford and Twentieth Century Silhouette Portraiture.
- Annebella Pollen: Silhouettes into the twenty-first century.
Click on the “cover” to obtain download options.
The website itself, discussing 250 years of British Portrait Silhouette history, is also worth exploring. See this page on Silhouette Methods and Materials. Costume enthusiasts and Regency Reenactors will welcome the generous Gallery of silhouettes.
The website also brought me (again) to The Regency Town House website. The link provides information on touring the house, which opens again in April 2017. “The House at 13 Brunswick Square, Hove [UK], is a Regency town house built in the 1820’s as part of Charles Busby’s Brunswick Estate. We are creating an archive and museum focused on the history of Brighton & Hove between the 1780’s and 1840’s.”
I found them both while looking for MORE information about the Smith & Gosling silhouettes done by Auguste Edouart (they may have been among those that Edouart lost in a shipwreck! oh, wouldn’t you know…); see my past post entitled The Shades of Pemberley.
To follow up on the DAR post, for those who may be interested in the EXHIBITION catalogue of their costume installation:
“An Agreeable Tyrant”: Fashion after the Revolution – What’s a patriotic American to wear? is described as: “Paperback, 196 color pages, lavishly illustrated with portraits and fashion plates of the period as well as the garments on display. In addition to the extensive catalog entries, there are five essays by leading experts in the field, a selected bibliography for further reference, and over twenty scaled patterns of men’s and women’s garments seen in the exhibit.”
$35 (plus shipping, which I didn’t look up) from the DAR Store’s website.
To SEE the exhibit, you only need to get to Washington DC before it closes in 2017.
Hopefully you can read the artist’s signature: Ann Lewis facit, in this 1802 drawing. Alas! although the Los Angeles County Museum of Art (or LACMA) owns these DELIGHTFUL fashion plate paintings by Ann Frankland Lewis, they are, sadly, NOT ON DISPLAY!
So the next best thing is a cyber visit to Dames a la Mode – where the many works of Miss Lewis can be enjoyed over two pages.
Surely based on existing fashion plates, Ann Lewis’ drawings are colorful and wonderful, and have (obviously) given costumers some great ideas.
LACMA has only one image, and woefully LITTLE information on the artist, or their holdings. If anyone reading this knows more – please say! Two Nerdy History Girls has a lovely little write-up.
As a group they evidently date from 1774 to 1807. The BLUE dress (above) dates from 1803. And this ‘head’ from 1806.
Now, if only the museum would put these items on display – or in a special exhibit!
When a Facebook query was made about what a Lady might have in her reticule, I simply had to reply:
“An Ivory Note Pad!”
Wonderful photo, as you still see some writing on it! This particular specimen is a 2007 “sale”, but the write-up still proves interesting: Described as “3 inches long and 1.5 inches wide” you get an impression of how “DARLING” these items could be.
And who would want to be caught short when a fabulous thought, or Mr. Darcy’s address, was in need of being written down?!?
Have found one “reproduction” (complies with certain laws…) notebook, $135, in ‘brass’ with the intention of hanging from a chatelaine. Rather a neat idea.
Kleidung um 1800 has a FASCINATING discussion, centering on a Fashion Fad circa 1793.
Sabine has found evidence of a CRAZE (which she believes helped “raise” the waistlines of ladies’ dresses thereafter), whereby young girls and women used padding to look pregnant. My favorite thing about the cartoon (above): the “‘Virgin’ Shape” in the middle. Having lived thru the crazes of Pet Rocks and Mood Rings, anything is a possible fad. But I do find myself shaking my head and chuckling over the Pad Fad. Click on picture to find out MORE!
It’s been a LONG time since I’ve read as fascinating an article as Hilary Davidson’s “Reconstructing Jane Austen’s Silk Pelisse, 1812-1814” (available thru her Academia.edu account)
Originally published in Costume (vol. 49, no. 2, 2015), her uploaded articles includes all the illustrations under discussion in the article, and is a thorough piece of investigative writing. Taking into consideration not only the Jane Austen provenance (a indelicately-worded letter helped cast the shadow…), but also insights into construction and sewing, cost and “fashion”, the article should interest readers who want more information on
- Jane Austen
- Regency fashion
- English fashion & textiles
- costume construction
- conservation & recreation strategies for museum pieces
And a TON of other topics. In short, HIGHLY recommended!
Seen only in photographs, I’ve never been super impressed with the Austen garment. After reading about it in a fair amount of depth – it perhaps does suffer “age and infirmity”. It just looks so crumpled.
Their reproduction, reinstating some closures the original must have had (but doesn’t any more), has a much greater stiffness – and is well served by a tall, exceptionally-thin young woman.
The Austen Pelisse is considered in conjunction with several theoretical and actual garments – including Barbara Johnson’s excellent “book” of fabrics and fashions (reproduced in commercial book form as A Lady of Fashion) and a lovely garment from the V&A.
_I_ was quite surprised to see that the original garment has been sewn using “nine stitches to the inch” – which seemed a surprisingly low number (when hand-quilting and piecing is considered…; a reason I used to stay away from hand-sewing or quilting!).
And how interesting to read about the shift in costs: in Austen’s day the labor was nothing… nowadays a greater consideration. But, read the chart (p. 217) and you will see along with me how pitiful the wages of someone making less than 8 shillings! (For, unless you owned the business, the money did not go solely to the sewer — rather like a car mechanic today [ie, expensive labor rates!].) £300 was the labor cost for their replica. A far cry from the 2008 “equivalent” of 8 shillings: £20.
I don’t know what else to say about this incredibly-informative article – other than: READ IT for yourself.
The ever-vigilant Charlotte Frost (Sir William Knighton: The Strange Career of a Regency Physician) — who is working on an exciting new project herself! — passed on word of a book we both have been anticipating with great pleasure:
Prinny’s Taylor: The Life and Times of Louis Bazalgette (1750-1830)
Louis’ descendant Charles Bazalgette has worked for YEARS to piece together the life of the man who tailored some of the wardrobe worn by the Prince Regent – Charles even gives insight into the story behind the nickname Prinny (which I never knew, since, like Charles, it isn’t a term I often seek to employ).
There are even several chapters about 18th-century tailoring, which should be of especial interest to those who sew and create. The fascinating story, however, is the rise of Louis Bazalgette. I mean, how DID he become a preferred tailor to the Prince of Wales?? If he existed nowadays, he’d be displaying a Royal Warrant of Appointment at his premises!
To quote the book synopsis: Prinny’s Taylor “presents a new angle on Georgian and Regency life, as seen through the eyes of a little French tailor who by his own efforts became a very wealthy propertied merchant”.
A little-known aside: my Emma mentions Mr Bazalgette in a letter, as a neighbor to a friend she visited!
click to enlarge
If you’re in Vermont, check out this Town BrainTap event in Twinfield, Vermont on 8 April 2015!
“A Talk and Trunk Show” by Justin Squizzero, with Eliza West – The aim is to showcase Early American Apparel, 1770 to 1815. I’ve seen Eliza West’s beautiful “Jane Austen” creations, and can say that anyone able to attend will not be disappointed. A $10 donation is suggested; a non-profit, proceeds are donated.
If you’ve ever been frustrated by finding the obscure person you needed to read about in DNB – but then hit their paywall, now is your chance!
Oxford University Press is giving U.S. readers FREE Access from April 13 through April 19th to several databases. Along with the Dictionary of National Biography (DNB), there’s such as Berg Fashion Library – Grove Music Online – Grove Art Online.
Celebrate National Library Week, without even having to travel to your local library!
Have been inhabiting the “Beau Monde” world of the 1790s, and am thoroughly enjoying myself! After having my internet connect down for a week (severe withdrawal symptoms…), I’m now able to cast about for information on one name that turned up: Lady Jersey.
There are several ‘depictions’ of the notorious lover of the Prince of Wales, who evidently honored the lady with his attentions for nearly a decade (1793-1799), at the National Portrait Gallery – by Gillray. “A Lady putting on her cap” (detail above) was published in June 1795. The British Museum gives a nicely-minute description of the scene and some of the “symbolism”. A (short) discussion of the print occurs in the 1848 book England Under the House of Hanover (vol 2).
MY interest in Lady Jersey (née Frances Twysden; AKA Frances Villiers) comes from a letter, which indicates that the Prince of Wales pressed to have Mrs Drummond Smith invite Lady Jersey to one of her soirées in 1797. The hostess was not interested. Oh! for more Smith & Gosling tales along that line!
For inquiring minds, I include two blogs that make mention of Lady Jersey:
- Mike Rendell’s Georgian Gentleman, who celebrated Lady Jersey recent birthday (February 25)
- Good Gentlewomen: Frances Villiers, Countess of Jersey