No, But I’ve seen the movie…

November 8, 2011 at 12:52 pm (books) (, , , , , , , , , )

R.H. Culp wrote an intriguing post that touches on books-made-into-films:

“Every time another book-derived movie comes out it feels like it is condemning the book to obscurity.  Too many times I’ve asked someone if they’ve read Harry Potter or The Lord of the Rings and they say, “No, but I’ve seen the movies.”  Why can’t people who want to experience these worlds sit down for a few hours and read?”

I, too, dream of what Culp terms “the ultimate authorial achievement” = a MOVIE DEAL! I have long picked out a movie cast for a film based on a certain key “moment” behind Smith and Gosling history: the romantic triangle of Charles, his first wife Belinda, and his sister Emma’s best friend Mary — who eventually becomes his second wife. Would I be giving too much away to say that I’ve long thought James McEvoy the perfect Sir Charles Joshua Smith. For the others, I can’t help but confess, I’ve got a little list…

Yet, while I could easily down boil the story to something that takes two hours to tell about 12 years’ worth of tale — and make it visually arresting with scenic estates and cityscapes, my ultimate goal would be to gain publicity to drive movie-goers to my books –> where the Smiths & Goslings will (someday…) live again through their own words.

I’ve a closet-full of “tie-ins” and even “classics” that were purchased because I’d seen some TV or film adaptation. The “tie-ins” sometimes suffered if the story had been drastically changed for the film; I mean there is some expectation of a bit of the same story, and the denouement shouldn’t be totally different.

A good writer tells a story, while a great writer invents a world you want to inhabit — again and again.

I’ve seen way too many adaptations of Jane Eyre – the story too-well-known to be “fresh” (rather like A Christmas Carol – please, not another film or sitcom sketch!). Yet a number of years ago I picked up a copy of the book while on vacation. What a wealth of wonderful language!

Austen’s novels are like that, too.  Her prose gives different layers to all the novels beyond boy meets girl premise. That’s what keeps JASNA members revisiting the novels — again and again and again.

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Quick Post: Mansfield Park (Jane Austen)

July 27, 2011 at 4:32 pm (books, jasna) (, , , , , , )

A co-worker sent me this link; so wonderful an essay, that I just had to dig out my copy of Mansfield Park. Frankly, I’ve been heartily enjoying reading it! (I believe the Montreal AGM deals with this novel; perhaps I’ll find a paper topic?!)

Anyway, check out the two blog posts relevant to Mansfield Park; you will not see Landscape in the same manner again after reading Alexandra Lange‘s thoughts on the novel:

http://observersroom.designobserver.com/alexandralange/post/jane-austen-landscape-architect/28868/

and

http://observersroom.designobserver.com/alexandralange/post/jane-austen-architect/28278/

more later!

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Eliza Chute, of The Vyne

June 12, 2008 at 3:09 pm (introduction) (, , , )

Reading the post below, reminds me to mention here a wonderful article that does indeed cite the diaries of Eliza Chute. It was destined for JAS’s annual publication (Report), but, forgotten, it ended up online — for which I am truly grateful: that fact gave me a chance to read it.

The author, Anne Hardy, looks at Sense and Sensibility and the possible connection a woman from The Vyne may have had with Austen and her novel. Highly recommended!

(for more on The Vyne: see the National Trust; or Hantsweb – with its lovely chalk-drawing of a young Emma Smith! Some exterior photos are found at astoft.co.uk)

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