Jane Austen @ LA Review of Books

May 7, 2019 at 3:29 pm (books, history, jane austen, jasna, news) (, , )

Another _very interesting_ piece of writing by Janine Barchas (author, Matters of Fact in Jane Austen [2013]; and The Lost Books of Jane Austen [Oct 2019]), who looks at “Marie Kondo’s Contributions to the Reception History of Jane Austen” in the Los Angeles Review of Books.

As an avid purchaser of used books, I certainly have my share of those identified with former owner names. And there are those with inscriptions. You know the type of inscription I mean, “With love, from Grandma, Christmas 1922,” is one image used in the article, attached to a fine looking, highly colorful, embossed cover for Sense and Sensibility.

books_north country

Now, such information is being culled for the “reception history” of Jane Austen’s novels.

This section of Janine’s article REALLY fired my imagination:

“In recent years, … hard-lived survivors of old reprints have surfaced among the flotsam and jetsam of eBay offerings, charity shops, and second-hand bookstores. While these unwanted 19th-century books apparently failed to spark joy for some, for me they have opened new avenues of research into Austen’s early readers.

This is because some ownership signatures and gift inscriptions left behind in these copies can be traced. Resources such as Google and Ancestry.com have lowered the costs of provenance research so that bare names and dates can be more easily wrapped in biographical context. As a result, mundane copies can supplement the highbrow evidence by which scholars have traditionally tracked reception —”

Having so few books that I would actually resell, I had to laugh and then “oooh” over the true realization that, “The decluttering craze is democratizing reception history.” (I hate to add, the deaths of householders must also contribute to the resale of items: when relatives and friends just don’t know what to do with it all; and certainly they feel no sentiment towards what Grandma gave at Xmas in 1922…)”

Using census data, some of the ghost-readers can be fleshed out – including geographic information and sometimes even knowledge of their employment.  As one who _never_ claims her books half so fully as those mentioned in the article, the heartwarming (and even heartbreaking) tales culled from these books are AMAZING. I’m really looking forward, then, to Janine Barchas’ Plenary presentation at the JASNA – Jane Austen Society of North America – Annual General Meeting (AGM), being held this October (2019) at Colonial Williamsburg. Janine will speak on such “refound” volumes, concentrating on Northanger Abbey – the focus of the AGM, which celebrates the novel’s 200th anniversary of publication. Not attending the JASNA AGM? Look for the publication that month of The Lost Books of Jane Austen. “The Lost Books of Jane Austen is a unique history of these rare and forgotten Austen volumes.”

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London Silk: Garthwaite & Rothstein

March 17, 2019 at 11:38 am (books, fashion, history, portraits and paintings, research) (, , , , )

I am just starting to read Zara Anishanslin’s Portrait of a Woman in Silk. This is the fascinating “entwined” story of a silk designer, a Spitalfields silk weaver, a Philadelphia woman, and the artist hired to paint her portrait.

Woman in Silk

Anishanslin makes mention of the contributions by Natalie Rothstein to the information we have about the eighteenth-century English designer of this silk’s pattern – Anna Maria Garthwaite. Rothstein is a very familiar name, for she gave us A Lady of Fashion: Barbara Johnson’s Album of Styles and Fashion.

Barbara Johnson

[click the photo below for more on the book A Lady of Fashion; and see also my post “Fashion News, Regency Style“]

It is with sadness that I read of Natalie Rothstein’s death in 2010. Her obituary, in The Guardian, makes for interesting reading – and mentions the title of her main work on Garthwaite: Silk Designs of the Eighteenth Century in the Collection of the Victoria and Albert Museum (1990). Rothstein was quite prolific, publishing much about the collection she knew best (i.e., the V & A). This lengthy obituary features an equally lengthy bibliography.

johnson3

It was finding online information (and images!) of Garthwaite’s designs that made me want to share with you. Especially, this beautifully presented Waistcoat (1747) from the Met Museum; details and overview images. A lengthy blog post on the Courtauld Institute of Art‘s website is well worth a read. All this history of the Spitalfields weaving industry might also inspire you to visit Dennis Severs’ House at 18 Folgate Street. I think I blogged about it long before my own visit, so entranced was I by the “story” of and behind the “museum”. (But I wasn’t prepared for the locked front door that had to be knocked on and answered!)

The thrill is also over the Victoria and Albert sharing images of Garthwaite’s designs. Although I didn’t look at them all, 44 pages came up [some _are_ tagged ‘unknown’ artist; most are Garthwaite’s designs] when I searched for ‘Garthwaite’!

There’s even a Pinterest page dedicated to her designs and Garthwaite has her own Wikipedia page.

Some of the less intricate designs of flowering tendrils remind me of the Botanicals painted by the women in the Smith family (two generations, including the future Emma Austen, my diarist) [see the page Artwork Done By], which I have long thought would make for beautiful fabrics. As a “companion” piece, if the Botanicals at the Royal Horticultural Society interest you, you might dip into “Further Thoughts on Four Sisters” to acquaint yourself with the four sisters of Earl Stoke Park – Emma’s mother and three aunts, who, with Miss Margaret Meen, their teacher in the technique, is represented in the RHS collection.

***

Additional reading:

A Dress of Spitalfields Silk” – lengthy essay and some splendid photographs of an actual garment

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Black Out @ Smithsonian

February 16, 2019 at 12:21 pm (books, entertainment, history, portraits and paintings) (, , , , )

There’s still time, if you act fast, to catch the closing weeks (until 10 March 2019) of BLACK OUT: SILHOUETTES NOW AND THEN, at the Smithsonian’s National Portrait Gallery (Washington D.C.).

Having opened in May 2018, there has been a fair amount of press:

  • National Portrait Gallery, Smithsonian: Press Release
  • Washington Post: “Before Photography the silhouette helped leave an impression” (Philip Kennicott)
  • Hyperallergic: “An Outline of over 200 Years of Silhouettes” (Claire Voon) [great photos of the installation]
  • “Five Questions” with Curator Asma Naeem
  • Quarizy: “An Enslaved Woman’s Candlelit Shadow” {Portrait of Flora] (Corinne Purtill)
  • Frieze: “Out of the Shadows: A Contrasting History Lesson in Black and White (Evan Moffitt)

Also available: the book BLACK OUT: Silhouettes Then and Now, through the museum store, which helps support the National Portrait Gallery, as well as such exhibitions.

Black Out

ONE resultant article is a fascinating look at Sylvia Drake and Charity Bryant of Weybridge, Vermont! Their portrait images are from the Collection of the Henry Sheldon Museum of Vermont History, in Middlebury. [The Sheldon Museum reopens on 2 April 2019.]

Dating from c1805-1815, the engaging pair of silhouettes, “entwined in braided human hair,” lift from the shadows a story of this same-sex couple. A quote from William Cullen Bryant (Charity’s nephew), in 1841, says: “If I were permitted to draw aside the veil of private life….” The Drake-Bryant silhouettes alone have lifted that veil (see below). Being placed on display, especially in such a prominent exhibition, “allow[s] these kinds of stories to be told” (to quote the curator in Roger Caitlin’s article for Smithsonian.com).

The pair of women have also made the local Vermont news:

  • The newspaper Addison County Independent‘s story on Sylvia Drake and Charity Bryant travelling down from Middlebury, Vermont to Washington D.C.
  • Seven Days picked up the story, and through that we learn of Bryant’s death in 1851; and that the Sheldon Museum also has “a wealth of archival materials,” donated by Drake’s family. These include “letters, diaries, poems and other ephemera.” Oooohhh…..

Fascinating to read that University of Victoria (BC, Canada) historian Rachel Hope Cleves, who researched the Sheldon’s collection of Drake materials “and basically made this case that these women were a lesbian couple living together.” Cleves published (in 2014) Charity & Sylvia: A Same-Sex Marriage in Early America.

Charity & Sylvia

The cover will whet your appetite to see the original silhouettes!! And the content, the story of Charity and Sylvia, will make you want to buy the book – which is available through the Henry Sheldon Museum as well as your usual book places.

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Costumes de la Suisse

January 31, 2019 at 8:52 am (entertainment, fashion, history, research, travel) (, , , )

I actually have copies of the Costumes de la Suisse – minute “vignettes,” cut out and pasted into a scrapbook. In trying to find a date for them, I found a fabulous website that presents digital copies of many albums and books of visual art. I invite you to explore! These are rare books from the collection of Mr. S.P. Lohia. You can sample pages, or browse through an entire book.

As to the dating for the Costumes de la Suisse, I’ve seen “c1810-1820”, as well as c1830. In short, I’m still not sure.

costumes of unterwalden

The above represents the “costumes” (or Trachten, in German) for Unterwalden, in Switzerland. There are no words of explanation, nor have I any idea whether my scrapbooker traveled in Switzerland, or obtained the images in England.

The images are quite small (Unterwalden is about two inches tall), but because they are hand-colored, the images are still quite vivid and spectacularly colorful.

And there are those beautiful Dirndl and Ledenhosen outfits!

suisse individual

Although Lohia owns a bound book (images of the binding are included), it’s possible these little vignettes began life as individual ‘cards’ in a slipcase, as in this version, currently for sale at a used book site. This image certainly gives a clue as to why these costumes were attractive to some young woman with a pair of scissors and a pot of glue. Her handiwork and dexterity are my reward.

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Northamptonshire Past & Present

November 28, 2018 at 8:40 pm (books, entertainment, estates, history) (, , , )

“…because the Work is too hard for Women, it requires more strength than they are capable of, to raise Walls of Defence about a Lady’s Shape.” 

— Robert Campbell, The London Tradesman (1747)

regarding the fact that “stay-makers were always men”. “Stays were made of buckram, a thick, heavily stiffened, linen, difficult to cut and sew.”

The owner of the stays in this instance was Lady Langham of Cottesbrooke. On March 26, 1774, Lady Langham wrote of paying £1 16s to “Harrison” for “a pr of Stays”. The summation of Lady Langham’s London expenditures turns up in the eye-opening article by Judith Hodgkinson.

It is one article in back issues – now digitized (and continuing to add volumes) – of the journal Northamptonshire Past & Present produced by the Northamptonshire Record Society. [This particular volume is No. 62, from 2009.]

Northamptonshire Past and Present

Of course, Northamptonshire has Two Teen in the Time of Austen connections in being the location of Castle Ashby, home of the aunt and uncle of Emma Smith (later Emma Austen; and still later Emma Austen Leigh) – Lord and Lady Northampton.

I’ve even located a couple of related articles!

The first, “George London at Castle Ashby,” by the estate’s prior archivist Peter McKay. These are very early doings, indeed: 17th Century gardens. [article appears in No. 61 (2008)]

The second, also by Peter McKay, is brand new – issue 70 (not digitized; though the volume for sale) – “The Grand Tour of James, Lord Compton, 1707-1709.

The current issue also discusses such as Boughton House and Burghley House; a couple of locals – John Cope and the Rev. Henry Jephcott; as well as “Suffragettes and Suffragists in Northampton”.

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ESSENTIAL AUSTEN: Jane Austen Fashion

November 24, 2018 at 10:46 am (books, fashion, history, jane austen) (, , , )

In two words, JANE AUSTEN FASHION is . . . a treasure! Concise and informative, its focus on Jane Austen – in comments from her letters as well as her novels – makes this little volume essential to every Austen collector.

fashion

Newly republished by Moonrise Press (Ludlow, England), author Penelope Byrde’s book on fashion is now in its second regeneration. Initially published in the 1980s as A Frivolous Distinction, it found a new lease on life in an expanded edition put out by Excellent Press in 1999. It has now been rescued from its consignment to used bookstores (if you were lucky enough to find a copy) by this paperback edition. May Moonrise Press profit from its belief in the continuing interest in this subject – fashion not only in Austen’s day but, more precisely, in Austen’s own life.

Analyzing this book, you sense just how little the average reader knows about the fashions, fabrics and even etiquette of Austen’s novels. ‘Those of her characters who … talk about it [dress] to an excessive extent are unfortunately those whose vacant minds or poor manners are underlined by this habit — women such as Miss Steele in Sense and Sensibility, Mrs Allen in Northanger Abbey, Lydia Bennet in Pride and Prejudice and Mrs Elton in Emma’ (13; my emphasis). This is not to imply that an interest in clothing was ‘unhealthy’, but to point up that Austen’s characters can be rude through the manner in which they discuss – dissect might be the better word – how their friend or relative looks. Readers delight in Catherine Morland’s musings over what to wear to her first Bath Assembly; yet, as Byrde points out, poor Marianne Dashwood is inquired of so sharply about her costumes and their cost that Miss Steele knew more of Marianne’s wardrobe than Marianne herself! Readers today might therefore see Miss Steele as inquisitive but Austen’s original readers would have known she was stepping over the bounds of propriety. Miss Steele ‘was never easy till she knew the price of every part of Marianne’s dress … and was not without hopes of finding out before they parted, how much her washing cost per week, and how much she had every year to spend upon herself’ (72; quoting S&S p. 249).

JANE AUSTEN FASHION (subtitled Fashion and Needlework in the Works of Jane Austen) also proclaims the elegant characters of the novels, as portrayed through their clothing or pointed descriptions of their likes or dislikes. Along with the elegant Emma we also have young, noble Eleanor Tilney – whose proclivity for ‘white’ marks her natural elegance. Byrde calls Miss Tilney ‘perhaps the best-dressed of Jane Austen’s female characters’ (50).

Perhaps for the first time, today’s readers can imagine a piece of tamboured muslin, as in the gown Catherine Morland wears, when they are told what exactly tambouring meant: ‘The embroidery was worked on a frame with a fine hook which passed through the fabric and made a series of chain stitches. The work could be done quickly and was effective on lightweight fabrics…’ (111). Byrde can then also mention one character who employed the tambour frame, Mrs Grant in Mansfield Park.

Until her retirement in 2002, Penelope Byrde was a curator at the famed Museum of Costume in Bath. And it is with a deft hand that she presents the fashions and fabrics mentioned by Austen in her letters, and unravels the little mysteries of certain comments in the novels. She also gives an informative basic overview of the changing fashions from Austen’s girlhood through her adult years (1770s to 1817, the year of Austen’s death). After Byrde’s digression on the subject of ‘sleeves’, how clear becomes Austen’s own comment on the when-why-how of short-sleeves versus long-sleeves. ‘By 1814 long sleeves were beginning to be worn in the evening [formerly, they had been exclusive to daywear] and Jane Austen seems to have been determined to wear them herself…“I wear my gauze gown today,” she wrote in March 1814, “long sleeves & all…I have no reason to suppose long sleeves are allowable.” But she goes on to say: “Mrs Tilson had long sleeves too, & she assured me that they are worn in the evening by many. I was glad to hear this”’ (24/27). Mrs Tilson, the wife of Henry Austen’s banking partner, would have been a woman who knew the London fashions well. And it is through letters that everyone would have gotten the latest news concerning the latest fashions. This exchange shows just how typical an observer of the world Jane Austen was.

Nothing escapes Byrde’s attention; there are sections on men’s fashions; sections that look at accessories, boots and shoes, hats-caps, muffs and parasols, hair-dressing, and clothes for special occasions (weddings, mourning, livery); a useful section on the ‘making and care of clothes’; and perhaps my favorite, a look at needlework – of course an occupation not only of Austen herself, but of most of her female characters. Byrde delves therefore into so much more than mere ‘fashion’. And all from an Austen point of view. Only Chapman, in his enthusiasm for Austen’s letters (when others thought their content of little interest to anyone), could have mined the letters so well for the cost of goods and the changing tastes in fashion. It is for such evidence that historians delve into diaries and letters, and they will want to delve into this book as well. To have all such aspects in one such complete package is a blessing. There is nothing ‘frivolous’ about the topic or its treatment, and this garners JANE AUSTEN FASHION a place in the Essential Austen collection.

JA Fashion

Note that there are SEVERAL editions of this book; the first image is the paperback I own (2008); the one above shows the cover of the 2014 re-issue. It began life under the title A Frivolous Distinction. It was later expanded and has again been reissued in 2014 – Jane Austen Fashion is available from the publisher, Moonrise Press (UK), if you wish to make sure your copy is the latest fashion.

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Second Choice: Canceled Chapter, Persuasion (Jane Austen)

October 6, 2018 at 9:21 am (books, jane austen, jasna, Uncategorized) (, , , )

Having spent last weekend (Thursday thru Monday) at Kansas City, Mo, for the 200th celebration of Persuasion, of course the conversation turned from the wonderful chapter Jane Austen wrote to the chapter she canceled. I have the multi-volume set of Chapman’s third edition of the Novels and Works of Jane Austen – and knew he had included the canceled chapter in the volume dealing with Persuasion. A friend was interested in reading it.

all austen

Indeed, Chapman’s source is James Edward Austen Leigh‘s MEMOIR of Jane Austen (2nd edition).

At the AGM (Annual General Meeting) of JASNA I got to read a letter to James Edward Austen (as he was in 1828, the date of the letter), congratulating him on his engagement to Emma Smith (my diarist) [and therefore one of the Two Teens in the Time of Austen]. But that is news for another post.

Clicking on the link above – or the picture of the books – will take you to Internet Archive (Archive.org), where you can find many of Chapman’s Austen volumes. I will include links on the Authentic Austen page. To me, Chapman’s volumes are just the right size, fitting comfortably in the hand and I prefer them over the large Cambridge edition of everything.

* * *

Some second thoughts myself: should you wish to read CHAPTER 9 before reading the canceled Chapter 10. The link is to volume IV of the 1818 first edition (ie, volume 2 of Persuasion). Links to ALL the first and early editions are on the Authentic Jane Austen page (above). Also included are Jane Austen Letters & the Morgan Library’s online exhibition that was formed around their holdings of Austen letters.

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I Spy: Lady M

October 4, 2018 at 8:39 pm (books, Uncategorized) (, , )

Always I am intrigued by a new book, and when this one popped onto my screen I was very interested:

Lady M

It’s not a book I’ve ordered yet, but the subject – Viscountess Melbourne (thus, the Lady M. of the title!), and the time period covered (1751 to 1818) are too tempting to stay away long. Must admit, I’m always hopeful (and usually disappointed) that I will find it locally and get to have it NOW rather than waiting for the mail.

And what a fetching cover portrait!

The subject is Elizabeth Milbanke (she was aunt to Byron’s wife Annabella Milbanke), later Lady Melbourne; watchers of the TV series Victoria will recall the young Queen Victoria calling Elizabeth’s son “Lord M.”

Read some REVIEWS:

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Boswell’s Presumptuous Task

September 4, 2018 at 9:12 pm (books, history, people) (, , , )

Being a three-day weekend, I took the opportunity to visit my favorite used bookstore, in Henniker, New Hampshire: Old Number 6 Book Depot. Check out this blog (Home Maid Simple) for TONS of photos of the shop – and you’ll see why I find it worth a three-hour drive.

I picked up a copy of Roger Pilkington’s Small Boat on the Meuse; I have many of his “Small Boat” books. This one dates to 1967, and the early volumes are the most entertaining.

Boswell_Sisman

But my “find” – which I am currently enjoying – is Boswell’s Presumptuous Task, by Adam Sisman. This is a “take” on the writer without spitting out Boswell’s words verbatim from the journals. Reading it has even made me take down my old paperback copy of the Hebrides tour by Samuel Johnson and (later) that published by Boswell himself. I especially welcome the narrow focus, pin-pointing Boswell and Johnson as well as Boswell writing about Johnson.

Readers of Two Teens in the Time of Austen can add to their knowledge of James Boswell by looking up my article, “Boswell’s ‘my Miss Cunliffe’: Augmenting James Boswell’s Missing Chester Journal.” This is available free on Academia.edu – where you can see other articles in the series:

  • “Uncovering the Face of Hester Wheeler”
  • “Margaret Meen: A Life in Four Letters”

For other links to useful Boswell items, see my earlier blog post.

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Royal Archives: Sense and Sensibility sale, 1811

July 24, 2018 at 9:12 am (books, british royalty, history, jasna, news) (, , , , )

As a member of the Georgian Paper Programme – a group formed around the digital project that is presenting to the world the Georgian-era holdings of the Royal Archives in Windsor, notice came about a “JANE AUSTEN FIND“!

cushion_austen

“A graduate student working in the Royal Archives… came across a previously unknown 1811 bill of sale from a London bookseller, charging the Prince Regent 15 shillings for a copy of “Sense and Sensibility,” says a New York Times article. It is (of course) entitled “Jane Austen’s First Buyer?” The date of the transaction took place “TWO DAYS before the book’s first public advertisement – making it what scholars believe to be the first documented sale of an Austen book.”

Having studied letters, like Mozart’s to the Prince Archbishop, _I_ am less critical of Austen’s dedication to the Prince Regent in her novel Emma. One showed deference in writing such during the period. And everyone was (and is) entitled to their own opinions about the Royal Family, including the Prince of Wales (Prince Regent) and his brothers. This, however, IS a GREAT highlight of a very useful collection – and rather unexpected, which is what makes it a true *FIND*. The NY Times names Nicholas Foretek, a first-year Ph.D student (history, UPenn), who was researching “connections between late-18th-century political figures and the publishing world.”

“‘Debt is really great for historians,’ Mr. Foretek said, ‘It generates a lot of bills.'” I have a feeling we’ll be hearing from Foretek in upcoming years, at JASNA AGMs.

* * *

READ: Nicholas Foretek’s blog post on the discovery of Jane Austen and the Prince Regent: The Very First Purchase of an Austen Novel

WATCH: This recent Library of Congress Symposium features FOUR speakers talking about various aspects of the GPP (Georgian Papers Programme) project. (nearly 2 hours in length; includes an interesting Q&A session)

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