Fashion: the R. Crompton Rhodes collection

October 18, 2017 at 10:10 am (fashion, history) (, )

1803 fashion plate

A “digital” collection based on the fashion plates once collected by Raymond Crompton Rhodes, and now at the Library of Birmingham.

The lady pictured above is from 1803 – she is believed to have been published in the Lady’s Monthly Museum for September 1803. So there are a nice variety of periodicals, including such popular titles as La Belle Assemblée, The Lady’s Magazine, Bell’s Court Magazine.

Included in the collection:

  • Macaroni prints, 1773-1777
  • Female Fashion, 1803-1901
  • Male Fashion, 1840-1870
  • Children’s Fashions, 1829-1893
  • Leisure wear, 1807-1891
  • a short biography of Crompton Rhodes

 

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American Duchess: Dressmaking!

September 26, 2017 at 7:39 pm (books, fashion, history, research) (, , , , )

Many of you will already be familiar with “American Duchess” for their “historical footwear” (I’m in love with their new “Regency” shoe, called Dashwood), or for the American Duchess blog on “Historical Costuming“. Those of you who do your own hand-sewn costumes, or those who WANT to begin such a project, will be happy with a new book by Lauren Stowell (“American Duchess”) and Abby Cox.

18th-Century-Dressmaking

Click the book’s cover to see the “preview” at Amazon.

Lauren and Abby have a well-thought-out series of “Georgian Gowns”. The Amazon preview gives the pages that cover “Historic stitches and how to sew them.” The photos that accompany this section show the detail clearly.

From the table of contents, other sections cover gowns:

  • The English Gown, 1740s
  • The Sacque Gown, 1760s-1770s
  • The Italian Gown, 1780s-1790s
  • The Round Gown, 1790s

Looking at the sub-categories, topics covered include items like “1740s Cap”; “1760s Undies – Side Hoops”; “1760s Ribbon Choker Necklace”; “1780s Poufs and Bows”; “Learning to Love Linen”; “1790s The ‘Frog’ Reticule”.

_I_ am more impressed with books that narrow the focus of research. Heaven forbid a brief book on an all-encompassing idea of “European Men and Women’s Fashions, 17th to 21st Centuries”.

So this book gets a BIG thumbs up for a nice number of pages (240 pages) and a tight focus that makes it a true “Guide to Eighteenth Century Dressmaking: How to Hand Sew Georgian Gowns and Wear Them With Style“.

Dare we hope that there will be further entries, making a series of Dressmaking Guides?!? Fingers crossed!!

Book release date is 21 November 2017! The video has “news” about MANY of their upcoming plans – watch it to find out more…. They also promise more videos as the weeks pass, counting down to November.

(note that Lauren & Abby show the cover, above; rather than the picture on Amazon’s website. Barnes & Noble have the correct cover. Be advised: the book images are “reversed” in the video.)

the ladies favoriteThe Ladies and their “favorite gown to work on”

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An Agreeable Tyrant

October 31, 2016 at 3:41 pm (books, fashion) (, )

To follow up on the DAR post, for those who may be interested in the EXHIBITION catalogue of their costume installation:

tyrant-catalogue-cover

“An Agreeable Tyrant”: Fashion after the Revolution – What’s a patriotic American to wear? is described as: “Paperback, 196 color pages, lavishly illustrated with portraits and fashion plates of the period as well as the garments on display. In addition to the extensive catalog entries, there are five essays by leading experts in the field, a selected bibliography for further reference, and over twenty scaled patterns of men’s and women’s garments seen in  the exhibit.”

$35 (plus shipping, which I didn’t look up) from the DAR Store’s website.

To SEE the exhibit, you only need to get to Washington DC before it closes in 2017.

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Ann Lewis fecit

July 3, 2016 at 12:13 am (entertainment, fashion, history, portraits and paintings) (, , , , )

Ann Lewis fecit

Hopefully you can read the artist’s signature: Ann Lewis facit, in this 1802 drawing. Alas! although the Los Angeles County Museum of Art (or LACMA) owns these DELIGHTFUL fashion plate paintings by Ann Frankland Lewis, they are, sadly, NOT ON DISPLAY!

So the next best thing is a cyber visit to Dames a la Mode – where the many works of Miss Lewis can be enjoyed over two pages.

Ann Lewis fecit2

Surely based on existing fashion plates, Ann Lewis’ drawings are colorful and wonderful, and have (obviously) given costumers some great ideas.

LACMA has only one image, and woefully LITTLE information on the artist, or their holdings. If anyone reading this knows more – please say! Two Nerdy History Girls has a lovely little write-up.

As a group they evidently date from 1774 to 1807. The BLUE dress (above) dates from 1803. And this ‘head’ from 1806.

Ann Lewis fecit3

Now, if only the museum would put these items on display – or in a special exhibit!

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The Pad Fad

February 10, 2016 at 6:18 pm (entertainment, fashion, history, london's landscape) (, , )

Kleidung um 1800 has a FASCINATING discussion, centering on a Fashion Fad circa 1793.

mode_1785-1793

Sabine has found evidence of a CRAZE (which she believes helped “raise” the waistlines of ladies’ dresses thereafter), whereby young girls and women used padding to look pregnant. My favorite thing about the cartoon (above): the “‘Virgin’ Shape” in the middle. Having lived thru the crazes of Pet Rocks and Mood Rings, anything is a possible fad. But I do find myself shaking my head and chuckling over the Pad Fad. Click on picture to find out MORE!

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Recreating Austen’s Silk Pelisse

June 13, 2015 at 7:40 pm (fashion, history, jane austen, news, research) (, , , )

It’s been a LONG time since I’ve read as fascinating an article as Hilary Davidson’s “Reconstructing Jane Austen’s Silk Pelisse, 1812-1814” (available thru her Academia.edu account)

Originally published in Costume (vol. 49, no. 2, 2015), her uploaded articles includes all the illustrations under discussion in the article, and is a thorough piece of investigative writing. Taking into consideration not only the Jane Austen provenance (a indelicately-worded letter helped cast the shadow…), but also insights into construction and sewing, cost and “fashion”, the article should interest readers who want more information on

  • Jane Austen
  • Regency fashion
  • English fashion & textiles
  • costume construction
  • conservation & recreation strategies for museum pieces

And a TON of other topics.  In short, HIGHLY recommended!

fashion 1819

Seen only in photographs, I’ve never been super impressed with the Austen garment. After reading about it in a fair amount of depth – it perhaps does suffer “age and infirmity”. It just looks so crumpled.

Their reproduction, reinstating some closures the original must have had (but doesn’t any more), has a much greater stiffness – and is well served by a tall, exceptionally-thin young woman.

The Austen Pelisse is considered in conjunction with several theoretical and actual garments – including Barbara Johnson’s excellent “book” of fabrics and fashions (reproduced in commercial book form as A Lady of Fashion) and a lovely garment from the V&A.

_I_ was quite surprised to see that the original garment has been sewn using “nine stitches to the inch” – which seemed a surprisingly low number (when hand-quilting and piecing is considered…; a reason I used to stay away from hand-sewing or quilting!).

And how interesting to read about the shift in costs: in Austen’s day the labor was nothing… nowadays a greater consideration. But, read the chart (p. 217) and you will see along with me how pitiful the wages of someone making less than 8 shillings! (For, unless you owned the business, the money did not go solely to the sewer — rather like a car mechanic today [ie, expensive labor rates!].) £300 was the labor cost for their replica. A far cry from the 2008 “equivalent” of 8 shillings: £20.

austen pelisse

I don’t know what else to say about this incredibly-informative article – other than: READ IT for yourself.

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Prinny’s Taylor now on Kindle

March 20, 2015 at 10:17 am (books, british royalty, fashion, history) (, , , , )

prinnys_taylorThe ever-vigilant Charlotte Frost (Sir William Knighton: The Strange Career of a Regency Physician) — who is working on an exciting new project herself! — passed on word of a book we both have been anticipating with great pleasure:

Prinny’s Taylor: The Life and Times of Louis Bazalgette (1750-1830)

Louis’ descendant Charles Bazalgette has worked for YEARS to piece together the life of the man who tailored some of the wardrobe worn by the Prince Regent – Charles even gives insight into the story behind the nickname Prinny (which I never knew, since, like Charles, it isn’t a term I often seek to employ).

There are even several chapters about 18th-century tailoring, which should be of especial interest to those who sew and create. The fascinating story, however, is the rise of Louis Bazalgette. I mean, how DID he become a preferred tailor to the Prince of Wales?? If he existed nowadays, he’d be displaying a Royal Warrant of Appointment at his premises!

To quote the book synopsis: Prinny’s Taylor “presents a new angle on Georgian and Regency life, as seen through the eyes of a little French tailor who by his own efforts became a very wealthy propertied merchant”.

A little-known aside: my Emma mentions Mr Bazalgette in a letter, as a neighbor to a friend she visited!

 

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Fun with Astrology

February 4, 2014 at 9:34 pm (entertainment, fashion) (, , , , , , , , )

A few weeks ago Charlotte Frost and I were discussing make-up –> Regency era, tutorials, reenactors, &c &c. Last week I watched — and greatly enjoyed — this video by Rochelle & Olivia:

marie antoinette

So it was with a bit of a “hoot n’holler” that I read last week’s horoscope for my star-sign, Aquarius (at 7 Days, a local (Vermont) weekly):

Extravagant wigs became fashionable for a while in 18th-century England. They could soar as high as four feet above a woman’s head. Collections of fruit might be arrayed in the mass of hair, along with small replicas of gardens, taxidermically stuffed birds and model ships. I would love to see you wear something like that in the coming week.”

Charlotte had a couple more links; promise to look them up and post them later!

duchess plaza toro

My favorite “Lady who let a ship go to her head”:
the Duchess of Plaza Toro
1983 Stratford (Ontario)
The Gondoliers: Douglas Chamberlain

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Portraits / Costume Database: The Portrait Project

January 29, 2014 at 2:42 am (entertainment, fashion, history, portraits and paintings) (, , , , )

Breaking news of a terrific website:

portrait project

If you’re like me, you might look at a portrait and wish you could “date” it; or, you might wish to know what costume looked like, say, in 1817. This database will help! A lot of “famous” faces, and you’ll soon begin to recognize certain “famous” artists, too. But what a wealth of well-arranged, early to navigate information & images!

There’s even a “History Timeline” which lays out a what-happened-when series of happenings, compositions or world events. For instance, if you see 1813’s mention of JANE AUSTEN’S PRIDE AND PREJUDICE and wish to see what portraits looked like from c1813, simply click on the link – et voilà!

Artwork represented comes from many nations and time periods; portraits are nicely ID’ed.

Highly recommended.

Lady Milner_vienna

Lady Milner

George_IV

George_IV

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You’re Invited: Fashion in 1811 Project

January 25, 2014 at 1:02 pm (europe, fashion, history, news) (, , , , , , , , )

Serendipitous Stitchery recently announced a year-long project:

journaljourney

Four costume historians will update monthly the news of fashions in 1811 from:

  • Journal des Luxus und der Moden
  • Journal des Dames et des Modes
  • La Belle Assemblee
  • Ackermanns Repository

JANUARY 1811 is up! Click on the picture for more information on the project, as well as to see and read about London / Paris / Weimar Fashions from January 1811.

Fabulous Project!

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