Regency Explorer explores BOOKS!

August 26, 2017 at 7:14 pm (books, entertainment, europe, news) (, , , )

Today, in looking for reviews of the book I’m currently reading (The Real Persuasion, by Peter James Bowman), I found the kind of post I’ve LONG longed for: All about new books!

Specifically, Regency Explorer – and its author Anna M. Thane – gives a monthly listing of releases in the area of ‘non-fiction Georgian age’ books. Anna’s list can include books in French, German, as well as English; and the books run the gamut of war and politics, as well as biography, history, art, architecture; not to mention scholarly monographs. Covers many contries outside of Europe, including India and the United States. I think readers of Two Teens in the Time of Austen will find the lists of as much help and guidance as I do.

regency explorer blog

I’ll list separate links to the recent months of:

(I’m not sure WHERE in the world the new releases take place, but bibliophiles all know how to buy from overseas vendors, if you have to do so.)

To whet your appetite, some ‘for instances’ that caught my eye:

A Visitor’s Guide to Georgian England, by Monica Hall. This was Anna’s “choice” book in July. _I_ like the idea behind “everything you need to know in order to survive undetected among the ordinary people.”

A Political Biography of Frances Burney, by Lorna J. Clark

Fame and Fortune: Sir John Hill and London Life in the 1750s, by Clare Brant and George Rousseau

The Social Life of Books: Reading Together in the Eighteenth-Century Home, by Abigail Williams

Anna’s pick for August was Gainsburough; A Portrait, by James Hamilton

I am intrigued to see, in the September list, the biography A Striking Likeness: The Life of George Romney, by David A. Cross – especially as the lovely portrait of Mrs. Drummond Smith was once thought, in the 19th century, to have been painted by Romney instead of Sir Joshua Reynolds! [This may be a reprint]

Striking Likeness

Cultivating Commerce: Cultures of Botany in Britain and France, 1760-1815, by Sarah Easterby-Smith

Cultivating Commerce

The Emergence of the Professional Watercolourist: Contentions and Alliances in the Artistic Domain, 1760-1824, by Greg Smith

There’s even – to go with your Jane Austen and Food – a Poldark Cookery Book

poldark cookery

In short, we all owe Anna a debt of thanks for enumerating “new releases” every month, even if it means significantly lightening our wallets…

Advertisements

Permalink Leave a Comment

Sotheby’s Museum Network

August 9, 2016 at 8:40 pm (entertainment, estates) (, , )

Charlotte Frost’s Twitter account is always informative, with news, books, English history (and that’s just for starters) – but this sounded EXTRA-EXCITING:

sothebys museum network

An August 5th press release announcing “an online destination to discover video content created by and about the world’s leading museums,” called Sothey’s Museum Network. “The Treasures of Chatsworth,” which is now in production, will be a 13-part series, featured on the network in the fall.

To read the entire article, click on the photo.

Permalink Leave a Comment

Articles @ Academia.edu

July 18, 2016 at 8:20 pm (history, research) (, , , , , )

A reminder for some, and a “poke” for those new to the SMITH & GOSLING blog: I post “original” articles on Academia.edu, a website dedicated to papers, books, classes, etc. relating to academics and independent scholars.

Academia

These currently include:

Combine Jane Austen, Eliza Chute, and “Sense and Sensibility” with a true-life courtship and abandonment. Mrs. Wheeler, a woman taken in by the Chutes of The Vyne, left an orphan daughter, Hester, who left deep impressions on both Caroline Wiggett and Caroline Austen.

The flower painter Margaret Meen also taught painting: pupils included Queen Charlotte and the Royal Princesses; the four Smith sisters of Erle Stoke Park: Maria, Eliza, Augusta and Emma. Little about Meen’s life has been uncovered — until now. Four letters lead to some surprisingly-full biographical details of the life of a woman artist in Georgian England.

{NB: “Miss Meen” appeared in the July/August 2014 issue No. 70 of Jane Austen’s Regency World magazine as “Flowering in Four Letters”. The link, above, is the original article submitted to JARW. To purchase the magazine, please go to BACK ISSUES on the JARW website}

JARW

Links to ACADEMIA articles can always be found in the navigation at right.

And, soon, these two articles will be joined by a new treatise!

Early in the history of this blog, I dangled the idea that JAMES BOSWELL was one of the “famous” names connected with the Smiths & Goslings. So watch my Academia page for the upload (coming shortly) of “Boswell’s ‘Miss Cunliffe’: Augmenting James Boswell’s missing Chester Journal“.

Academia.edu will ask you to sign in to view articles (Google and Facebook are two alternatives to creating an Academia account); articles are PDF.

 

Permalink Leave a Comment

The Handwriting on the Will

May 5, 2016 at 9:15 pm (history, research) (, , , , )

I have become CONSUMED with getting more and more Smith & Gosling material, and that has included the dreaded WILLS of even earlier ancestors. The one thing that has proven to be a help? The old wills means I have some earlier orthography, which often helps with the segue into “modern” spelling. The same holds for the earliest handwriting! I even READ some wills I downloaded from The National Archives five or six (or more…) years ago.

So while I thought to share a particularly fabulous hand, I chose this one because its (currently) the earliest example I have – although it is almost (ALMOST!) modern in its legibility.

elsewhere

The give-away: the first word; otherwise, doesn’t it rather look like a child writing?

Just in case you’re unsure what it says: Elsewhere in the Kingdom of England

Yes, this particular document has a most unusual (to me) ‘s’, which makes the first word look rather like Elfewhere… My document dates from 1726. And is related to family of my diarist Mary Gosling.

I’ll talk more about this document, which I’m just transcribing. In the meantime, I introduce you to palaeography on The National Archives website – which provides a delightful interactive tutorial.

Permalink Leave a Comment

A trove of old letters

April 27, 2016 at 9:41 pm (books, history) (, , , )

Gotta love a book that begins,

“Years ago I found a trove of old letters. I found them in a broken-down steamer trunk buried under moldy blankets in a dilapidated shed attached to a decrepit row house.”

These words open the 2014 book Nina Sankovitch entitled, Signed, Sealed, Delivered: Celebrating the Joys of Letter Writing.

Although I’ve heard of her Tolstoy and the Purple Chair, it was a blog post about LETTERS that brought me to this later book. For the Love of Bookshops wrote about the genesis of Sankovitch’s “next” book:

old letters

Like Erin (the bookstore-loving blogger), I too cannot believe the “luck” of such a treasure trove. And, it’s addictive! The more I find on my Smiths & Goslings, the more I want to find.

Sankovitch’s “find” rather reminds me of the beginning of Célestine. Although Gillian Tindall’s trove was a handful of letters, the fascinating history of young Célestine, a French woman, made for a stupendous read and an enthralling untangling of someone’s past. Nina Sankovitch’s stash turned out to be early 20th century: a mother & son correspondence. Thanks goodness the letters found a home!

Permalink Leave a Comment

In Conversation with Peter Ardern, author

February 7, 2016 at 2:12 pm (books, entertainment, history) (, , )

dorothyOur guest today is Peter Ardern, author of Dorothy’s Dream: A Historical Romance.  With personal ties to Hettie, a woman healer, and Aunt Annie, who nursed in the Crimea, Dorothy Martin decides upon a career in nursing – a newly-formed profession for women. Fans of season two (WWI) of Downton Abbey or the (U.S.) Civil War era series Mercy Street will thrill at this glimpse of British nursing life in the Victorian era.

* * *

Q: Congratulations on your most recent publication, Dorothy’s Dream: A Historical Romance. Tell readers a bit about yourself, and, of course, your novel.

Peter: I trained as a nurse in Sheffield, England in the early 1960’s in both mental health and general nursing, choosing mental health for my nursing career. I retired from nursing in 1994 the year I was awarded United Kingdom Nurse of the Year. I then studied full time for a PhD in social studies. I followed this by publishing nursing histories and subsequently my current novel  Dorothy’s Dream. I see these writings as a direct result of my chosen career and the person-centered approach (mainly interviews) I used throughout my research.

Q: Your Twitter feed mentions (and has a photo of) your psychiatric training hospital, Sheffield’s Middlewood Hospital, being turned into housing. Have you been able to visit Middlewood, and if so, what do you think of the transformation? (and what memories did your visit bring up?)

Peter: I visited the hospital site after nearly forty years. I prepared myself for some sort of disappointment while driving towards the new estate. On reaching one of the old entrances, I was pleased to find that the gate house, The Lodge, still stood. This is now used as a children’s nursery. I then travelled along unfamiliar roads and got quite lost until I found (what was) the main entrance to the old hospital. It is now the frontage of a block of flats. I was pleased that this façade had been preserved, but also somewhat disappointed. It just felt very strange. What to me had been a very welcoming entrance was now unapproachable. I was a stranger, I almost felt like an intruder.

Q: You found more of the hospital still existed?

Peter: I travelled to what I remembered was a block called Kingswood Building and to my surprise there it was. I was delighted that another building had been preserved. Unfortunately the church that I had been so familiar with was derelict.

I know we have to move on and it’s important that we reuse what would otherwise be ruins but surely we should not almost obliterate the past along with it. I hope I am being clear when I say that these buildings are only preserved because the frontages come under the “Listed Building Act,” not because they honour the former patients and the decent and worthy work that was performed in these hospitals over the previous century. Apart from the name, there is little to give any indication that this site was a former mental hospital.

Regarding this visit to Middlewood, I think what surprised and shocked me most was that when the buildings were converted the insides were completely ripped out, thus destroying the whole history of the building. They had stripped the heart out of the old hospital.

when matronQ: Your previous books focused on nursing, especially in hospital wards – When Matron Ruled (2002), The Nursing Sister (2005) and When Sister Ruled (2009). Please tell us about your research, and why you began publishing your findings.

Peter: As I mention on English Historical Fiction Authors, I had the privilege of commencing my nurse training at the time of the traditional matron and ward sister. I developed a huge respect, and still hold fond memories of learning from these highly skilled ladies. Their professional demise in the 1970s led me, twenty years later, to meet with and write about many of their lives; and subsequently to examine the history of women in nursing.

I spent a good two years travelling the country and interviewing a number of these traditional but elusive matrons and sisters. I say elusive because many were quite private people who did not seek publicity. I wondered, and still wonder, if this personal privacy was an instilled/inherent tradition from the Victorian era? When I was interviewing the matrons and sisters I always took my wife, June, with me, as both note taker and chaperon. It undoubtedly proved very helpful as most of the ladies lived on their own, I am sure, I know, it made them more relaxed.

My histories are I hope a tribute to their selfless dedication to nursing.

Q: And now this background has contributed to your novel!

Peter: Yes. My new novel, Dorothy’s Dream, is set in the Victorian period just following the Crimean War when Florence Nightingale returned to England to introduce her reforms to nursing. The book combines many facets of this history and also sees the demise of the woman healer.

Q: Please tell readers about the characters.

Peter: As a child, Dorothy had been fascinated by the local healer Hettie Ferries, after all, Hettie had been the midwife at her birth.

Hettie is regarded as invaluable in this midlands rural area. In the absence of an accessible doctor, the villagers rely on Hettie for her many and varied cures. She is highly respected and sought after, her remedies and skills giving comfort, even to Poacher Bill. But the medical profession is advancing and a renewed intolerance for these notable ladies begins. This was to totally change Hettie’s life.

Q: The Smiths & Goslings used monthly nurses (after “confinement”), did Hettie just deliver babies?

Peter: To the poor villagers, Hettie is the midwife and the monthly nurse. Only the artisan-class and above could afford such a luxury.

Q: The “Lady of Lamp” must have been a wonderful influence.

Peter: Dorothy’s Aunt Annie was one of the brave nurses who accompanied Florence Nightingale to the Crimea. The stories of her experiences had an enormous influence on Dorothy’s desire to nurse. Prior to Nightingale’s reforms, nursing was not a respected profession; hospitals were certainly no place for a young lady from a respectable family.

Q: Has Dorothy a love interest? She seems to have to make the choice of a profession or a husband.

Peter: Frederick’s life was to change radically after the tragic accident and death of his father, Ben. But through a stroke of good fortune he is able to achieve an education. Thinking this sufficient to win Dorothy’s heart, he spends much of his life in disappointment.

Dorothy is such a young lady. She has to withstand the pain of her father’s anger (he had other ambitions for her), and travel to London to become a trainee nurse.

So Dorothy achieves this dream, only to discover that she is still a woman in a man’s world.

Q: Why? What happens to her?

Peter: Suffice it to say that in hospitals and the medical profession, as elsewhere in Victorian society, men dominated. For Dorothy the essential question is going to be, ‘Who would believe a woman’s word against that of a man?’

Q: From a writing standpoint, surely it felt “freeing” to create fiction rather than recreate lives based on interviews. Are you pleased enough with the work and the result to want to stay writing fiction, or will you go back?

Peter: I think you are right, I did find it freeing but at the same time more challenging. Freeing in the sense that you are not constantly having to be aware of being rigidly evidence based. Challenging because you are working with unknown boundaries.

For example, I wanted Dorothy to conform within the acceptable norms of the ‘Victorian’ era, and at the same time to have the freedom, as an individual, to respond as she chose to unexpected events.

I set the parameters, Dorothy made the choices.

Q: Over email, you mentioned the “Diggers” were “part of the reason for the previous books and certainly part of the inspiration for Dorothy”. What are/is “Diggers” – I’m imagining all sorts of things!

Peter: The True Levelers or Diggers were a 17th century religious group that advocated absolute equality, a ‘common storehouse for all.’ The leader was Gerrard Winstanley. Our Diggers group in a more loosely structured group acting as a forum for presentations and discussion of new areas of members’ work in a friendly, non-threatening environment. The group consists of 7 – 9 members who meet once a month for two hours.

Members are expected to (a) participate regularly, (b) provide regular critical feedback, and (c) demonstrate a commitment to productive research.

Q: The Diggers are a great resource to you, then. How lucky you are to have such a supportive group. How did you find them?

Peter: New membership is by invitation of a majority of existing members. I was introduced by Richard Brooks a published author, we were both learning German at the time.

Q: You’re in Portsmouth, England (which also figures in the Smith & Gosling world). Has location played a role in your writings?

Peter: I wonder if my chosen profession of nursing has had more influence on my writing than the location. As you know, it is said that it is best to write about what you know, and in my case it is true. Nursing has been such a large part of my life and the influences have been many.

It may be interesting to note that I started writing Dorothy using third voice, but I felt compelled to change to first voice. After all it was Dorothy’s story, and I felt that Dorothy should be narrating the story. To date I have not met any criticism to this.

Q: Dorothy’s Dream is published through Publish Nation and printed with Lulu. Why did you go that route for this book?

Peter: I was somewhat spoiled the first time when Robert Hale published my books, but at that time I did not know it. I forwarded the first chapters of Dorothy and they asked for more, but then returned it because they said it had too much historical content for a novel. Bit weird? It was then I decided take the route of self-publishing. I felt I was too old to go through the ritual of submitting and being rejected by endless publishers and agents.

Thanks, Peter, for taking the time to talk with us! and good luck with Dorothy’s Dream.

* * *

Click here Dorothy’s Dream (at Amazon.uk) for a preview of the book. Available on Kindle and paperback; or, print-on-demand paperback through Lulu – which company has really impressed me with well-bound and well-packaged (for shipping) books.

UPDATE 2/16/2016 – Peter was interviewed today on ANGEL RADIO (try the “radio player” link) from Havant, Hampshire, England, a fabulous find: it broadcasts “nostalgic” music from 1900 to the 1960s. If they ever post it, I’ll link Peter’s interview here. Just wonderful to hear about Peter’s childhood, military service (in Germany in the 1950s), and his thoughts on the early days of his chosen profession of nursing. Of course Tony (the host) asked about the books, towards the end. But for those of you on the lookout for alternative music – take a listen! Highly Recommended!!

Permalink Leave a Comment

Diarist Mary Hardy: Podcasts!

January 2, 2016 at 1:54 pm (books, diaries, entertainment, history) (, , , , )

Author, editor, researcher Margaret Bird has recently made three podcasts available on her Mary Hardy and Her World website. The subject matter touches on the fascinating topics of the clergy, children, and local militias:

  • ‘A person in black, sent to you from afar’: the Evangelical clergy’s awakening of the flock in rural Norfolk 1773–1813 [Royal Holloway, University of London; February 2010]
  • Inculcating an appreciation of time pressure in the young: the training of children for working life in 18th-century England [Royal Holloway, University of London; March 2015]
  • ‘Trust the people’: the English approach to arming and training the ‘mob’ 1779–1805 [Institute of Historical Research, London; October 2015] [1 hour and five minutes]

The podcasts are Illustrated! I am especially intent upon ‘Trust the people’ – for Lord Northampton (the first marquess; Emma’s uncle), Thomas Chute (another uncle, brother to William Chute of The Vyne), and Spencer Smith (Emma’s brother, serving a few decades later) all had ties to local Militias.

mary-hardy

A reminder:

* * *

UPDATE: Am in the midst of trying my first listen: the PowerPoint presentation is a .pptx file you are asked to save; I don’t have .*x programs on my computer and my Reader is old, too. The audio is “downloading”; I had expected it to stream and play. An alternative (at least for the third podcast, from IHR) is found on YouTube. Illustrations are NOT on screen; with streaming audio.

Permalink Leave a Comment

Bias of Family Histories?

November 12, 2015 at 11:43 am (books, estates, europe, history, jane austen, research) (, , , , , )

Readers of Jane Austen all recognize the (lack of) funds heroines likes Elizabeth Bennet or Elinor Dashwood have as their marriage portion. And, what happens to the family estate when their fathers die: Norland goes to the only Dashwood son; Mr. Collins, a male relative, will inherit Longbourn.

But, in a highly interesting and exceptionally valuable book, A.P.W. Malcomson tells us that the HEIRESS, such as Wickham’s Miss Grey, may have been as cash poor as anyone else. Marriage portions didn’t always get paid, or paid in a timely manner. Sometimes, the lady’s fortune was quite tied up by trustees, and sometimes “a fortune” ended up meaning that you inherited nothing else other than your marriage portion – even when your parent had a healthy bank account.

This last seems to have been the lot of Mary (Lady Smith; née Gosling) and her sister Elizabeth (Mrs. Langham Christie). A letter written by Augusta Wilder, Emma’s eldest sister, passes on news following the decease of father William Gosling, partner in the Fleet Street firm Goslings and Sharpe, in January 1834. He left the bulk of his HUGE estate to Robert Gosling, the eldest surviving son. (Elder brother William Ellis Gosling predeceased their father by only three weeks.) The main item going to Bennett and Thomas Gosling (the remaining sons) was the country estate of Roehampton Grove, although each were said to be receiving a healthy £135,000. Mary and Elizabeth, who had married, respectively, in 1826 and 1829, surely thought some further monies would come to them – one a widow and the other living “in limited circumstances & with an increasing family” – especially given the size (possibly up to a million pounds, in 1834 currency) of Mr. Gosling’s estate.

Augusta Wilder’s letter passes on information gained from young Charlotte Gosling. Augusta wrote:

“It seems to me perfectly unfair to heap riches so upon the sons & portion off the daughters with comparatively such small sums.”

Augusta’s mention of “to cut off I may say the daughters with 20.000 is inexplicable” reflects the marriage portion Mary was said to have brought with her in 1826 (which was a decided surprise to Mrs. Chute! She wrote of it in a letter).

Charlotte Gosling, one of two children born to her mother, formerly the Hon. Charlotte de Grey (the Walsingham barons of Norfolk were her siblings), still had a living mother – which circumstance was seen as a blessing to Augusta: “Charlotte who if her mother were dead would be very poorly off after what she has been used to…”

Augusta said of the news of William Gosling giving so little to his daughters, in comparison to his sons: “It really passes our comprehension & is quite distressing – for it is irreparable; no wonder Mary did not wish to talk about the will.–”

Writing on the same day (but from a different place), Spencer Smith, Emma’s brother, passed on knowledge (gleaned from a Gosling cousin, Henry Gregg) “that Mr Gosling out of his vast wealth has left her [Mary] & Elizabeth nothing, or what is next door to it”. Bennett Gosling could tell Spencer about his own inheritance (Roehampton and a sum of money): “The bulk of the property … is entailed in the most strict & inconvenient manner possible, & the Will … is most exceedingly complicated.”

Such documents – diaries, letters, wills, settlements, court documents – are the bread and butter of Malcomson’s edifying research into THE PURSUIT OF THE HEIRESS: Aristocratic Marriage in Ireland, 1740-1840.

heiress_malcomson

Books.google has a “healthy” preview of the book – it is what convinced me to buy a copy. You cannot beat BooksIreland, which has the hard cover for £9.99 (on sale from £24.99) or the eBook at £7.99. Although the airmail postage to the U.S. from Northern Ireland was as much as the book, even U.S. readers will want to plump for the hard cover; it is so fully illustrated and a handsome book.

Malcomson discusses a range of topics. His first chapter introduces the idea of “the by-passed heiress” => the woman who seems on the brink of inheriting, but who in fact may not only be “by-passed” in favor of a male – she may also have her “fortune” so tied up in the estate of her deceased parent that funds aren’t even forthcoming to her! Mention is made, for instance, of two sisters – daughters of Edmond Sexten Pery (Viscount Pery). The father’s estate passed to a nephew (son of the Viscount’s brother), “the 1st Earl of Limerick. In toto, the ladies seem to have received c.£20,000 each. £5,000 of which represented their original (and still unpaid) marriage portions. (These figures are belied by the usual family anecdotage, according to which one daughter got £60,000 in cash and the other the equivalent in land.)”

On the heels of the Pery girls comes the tale of the co-heiresses of Sir Arthur Brooke, bart. Selina and Letitia Charlotte received marriage portions – which, along with another debt, were evidently “charged” to the estate (ie, monies taken out after the owner’s death; in short, while his bank account remained healthy, “less” was there to be inherited). The Brooke “estates were not huge, and Francis Brooke, the nephew who succeeded to them, and Francis Brooke’s descendants considered themselves aggrieved and impoverished by the open-handedness of Sir Arthur. This is typical of the male whingeing of the period and of the bias of family history written by men. It would be more to the point to suggest that the two by-passed heiresses… were not well done by.”

Makes me glad to come from a family with no money or landed estate…

Other chapters touch on “the younger son”; “The ‘marriage of affection'”; and “Elopements, mésalliances and mis-matches”. All are fascinating topics, and relevant to Smith and Gosling research, as well as Austen studies.

As mentioned, the volume is generously illustrated (full color more often than not), and the writing is engaging and always informative. The research is deep and well presented; the focus (geographically and chronologically) is tight and always on point. Generous notes; a useful bibliography; a handy index.

HIGHLY recommended. Five full inkwells.

* * *

  • a note: Malcomson’s earlier treatise on the same subject, from which this book grew – given new information and sources, has the same title. This edition was published in 1982 and has the years “1750 to 1820” in its title (70 pages). Malcomson rightly claims in his preface that the volume under discussion above (published in 2006 by the Ulster Historical Foundation [same as in 1982]) is “new, greatly enlarged and more widely focused”.

heiress_malcomson earlierthe 1982 edition
(not to be confused with the 2006)

Permalink Leave a Comment

Family of Benjamin Sharpe

April 23, 2015 at 10:01 pm (goslings and sharpe, history, news, people, portraits and paintings) (, , )

There are some AMAZING items in auctions. Some past ones have unearthed miniatures, letters, even a copy of Drummond Smith’s Sicily diary. Some auction houses are helpful; others are totally dismissive. Which is a great pity. Still, the images are free! And although the original image from the auction house was rather poor, I found an alternative site – and wanted to give everyone the opportunity of seeing what I found just last night.

The original auction took place in early 2013. These are silhouettes of the SHARPE family, which included William Gosling’s banking partner, Benjamin Sharpe — taken circa 1819! He was the “Sharpe” in the banking firm of Goslings & Sharpe.

sharpe family

Here’s the description:

  • “A collection of ten silhouettes relating to the Sharpe family of London bankers and comprising: Mrs Isabella Beetham [artist] – Oval portrait of a young woman wearing a lace bonnet, verso with Mrs Beetham’s trade label….and faintly inscribed Mrs Sharpe.”
  • “another of a young boy or girl with long hair”
  • “Attributed to Mrs Bull [artist] – Oval portrait of Mrs Sharpe wearing an elaborate hat, verso inscribed and dated 1788″
  • “two oval portraits of gentlemen, one inscribed to verso J.R. Sharpe”
  • “A group of four portraits of the children of Benjamin and Ann Sharpe, each with white highlights to their blue coloured clothing, each verso dated March 1823 and with respective script, Benjamin Sharpe aged 10 Years 4 Months born 16 November 1812, Elizabeth Isabella Sharpe aged 8 Years 3 Months born 9 December 1814, William Francis Sharpe aged 6 Years 7 Months born 31st August 1816 and John Charles Sharpe aged 4 Years 8 Months born 14 July 1818″
  • “Portrait of Benjamin Sharpe, inscribed to verso Gosling and Sharp (sic), B. Sharpe 1819
  • “an oval pencil miniature of Ann Sharpe, wife of Benjamin Sharpe”

sharpe family_backsides

IMAGINE: people Mary and her family actually knew!! So fascinating a find!

Estimate was £1000 to £1500; results only go back as far as September 2013, so I do not know for what price they actually sold.

Permalink Leave a Comment

“Complexity & Comedy” – Jane Austen names Names

April 22, 2015 at 8:35 pm (books, jane austen) (, , )

A blog reader, Rachel, gave me a heads-up about a book SHE’s enthusiastic to take a look at, after reading a laudatory Telegraph review: Margaret Doody, Jane Austen’s Names: Riddles, Persons, Places.

Only today a co-worker ask what I had studied in college. I could feel the “huh?” question when I said that one of my areas of study was Geography. Historical Geography, I could have said to clarify. Along that line is a study of Place Names! So I’m with Rachel in wanting to know more about this book.

doody_cover

Quite frankly _I_ find many “indications” of people and places related to my Smiths & Goslings… So part of me would be intrigued to see what correlations Doody has found – and, as a writer, I want to see how she lays out her theories. The preeminent draw for me to Matters of Fact in Jane Austen by Janine Barchas was the stories behind the names. I’m not sure, from the Telegraph‘s brief review, if Doody goes into the logic behind the (possible) choices in the same manner. BUT: as I’ve not see the book, I can’t really say.

Interesting that Doody believes Austen found amusement in the name “Fanny” (ie, Fanny Price) – for I have heard the “hidden” meaning of Fanny in the UK today – whereas here in the States a ‘fanny’ is a rather polite reference to one’s “posterior”. And yet I have a FANNY in my Smith family tree – so I tend to give a little less credence to the amusement of the name.

And, as someone who has studied place names, I will hold my opinion and hope the reviewer is a bit more cavalier in the discussion than the original author. For instance, is it the reviewer or the author who puts Martin Luther’s birthplace as Mansfeld?

Would to love to hear from blog readers who have the book!

Permalink Leave a Comment

Next page »