One Man Band: Life of an Independent Scholar
Curious about what a project like this Smith & Gosling research entails?
Although I worked (as staff) in academia for nineteen years, being an “independent scholar” (ie, without academic affiliation) means you don’t have the “interaction” of colleagues. That I really miss — and that’s why I’m so grateful for the readers of Two Teens in the Time of Austen! If I can’t bend your ears, you at least allow me to bend your eyes. And it’s a two-way street – I value your comments and “likes” and dialogue.
So here’s my summary of Life as an Independent Scholar:
- the location of diaries, letters, sketch books, portraits and miniatures, ephemera
- a transcription of handwritten items
- identification of people, places, and also the political, social, economic history of the era (approximately 1760-1845)
- “getting the word out” through blog spots, journal, magazine and local history articles
- finding obscure sources, including private collectors, for single items that once belonged to the Smiths, Goslings and friends/family
- tracking down book citations
- tracking down oblique references to family members in printed or manuscript sources
- obtaining copies (xerox, digital photographs, microfilm) of relevant source material (thereby owing great debts to many blog readers)
- corresponding with lots of libraries, record offices, and other depositories
- TONS of internet searching
- accepting the help of anyone who offers (see “obtaining copies”)
- asking for help, when the distance is too great to make a personal visit (ditto)
- spending precious hours/days/weeks at wonderful libraries and archives
- typing-transcribing-writing-rewriting-proofing-searching-questioning-rewriting-proofing
No research assistants – No typists – No funding = A One-Man Band!
Now Look What’s Missing
Last night I was reviewing the opening pages of the biography of James Edward Austen Leigh, written by daughter Mary Augusta (1911). With the focus, of course, on her father, Mary Augusta was finding reminiscences about him and using his own diaries, as well as excerpts from family letters.
I’ve probably not fully reread this in about 4 years — when this research was in its infancy; there was a LOT I did not know about, a LOT I would have taken note of without noting it down. And this is one of those “fell through the cracks” things.
Mary Augusta comments that Aunt Eliza (Lady Le Marchant) wrote “recollections” about her youth. This niece, )of course!), pulls from them Eliza’s memories of the youthful Edward Austen. Obviously, she would have written down oh-so-many more recollections!
I don’t know if this document would have been long or short;would have belonged to Mary Augusta or been borrowed by her; existed in as a sole manuscript or was copied out by any of the nieces/nephews. It may very well be resident today in the Le Marchant family! I live in hope anyway. IMAGINE such a “prize”!!!
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As an aside, one disappointment in Scenes from Life at Suttons was the ABSENCE of a portrait of Eliza herself — who, according to the introduction, with Drummond, caused these little “plays” to exist. How much fun it would have been to have seen a youthful depiction of her.