Paper Conundrums

May 30, 2019 at 9:01 am (entertainment, history, research) (, , , , )

After reading about Karen Ievers’ Photo Album (once belonging to Lord George Hill) having some bound-in “manuscript” pages, I thought about all the paper bits I have seen.

It’s not usual for “paper” to be reused. As well as, of course, collected. Countless letters no longer exist, while their address panels were saved (often cut out). These are typically franked pieces, collected for their “signatures.” The *hard part* is when writing from the letter appears on the backside! Potentially “valuable” pieces of evidence, just gone.

Augusta Smith, Emma’s sister, was a talented artist. At least in her early years (ie, during the late 1810s), her portraits were often done on pieces of paper quite evidently cut out from programmes obtained at the Ancient Concerts. Augusta and Mamma attended the Antient Music concerts faithfully every week during the season.

(Full concert programmes have only been seen by me as bound sets, online on books.google)

Some of those pasted down squares show the portrait VERY CLOSE to the text of that evening’s performance – as if Augusta had taken her pencil from her reticle and sketched while she listened!

Others, although pasted down, you can see the heavily-imprinted text from the backside, as in the subscribers’ list below.

Here, the Goslings – mother, father and the two sisters (Elizabeth and Mary) – are found in the list of subscribers for 1823 (the above link):

goslings1823

The interesting thing about Augusta’s portraits is seeing the wealth of music offered in an evening. All the choruses, songs, glees, and concerti. These were the golden days of the Knyvetts, Miss Travis, and Miss Stephens, names which turn up in the Smiths’ diaries and correspondence with great regularity.

What I discovered recently (to my dismay) is that old letters could also be used for SILHOUETTE CUT OUTS. Turning one such cut out over, I could just detect handwrting. Old paper tends to be stiff, and obviously made a useful item to pillage when one ran out of silhouette paper. But like the franked letters above, and even the Antient Music programmes, a loss to posterity of the original.

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La Bella Voce II

March 8, 2010 at 9:39 pm (books, entertainment, people, portraits and paintings) (, , , , , , , )

With the publication of Jane Austen’s Regency World Magzine’s article on the Knyvetts, readers with an abiding interest in the family might like to consult some of the sources used in the article — which the magazine had no room to publish. This comes from the original, uncut version of the article ‘There Once Was a Golden Time’: The Knyvett Family Musicians.

In addition to Dictionary of National Biography (1892), Grove Dictionary of Music and Musicians (1906) and New Grove Dictionary (2002), Brown and Stratton, British Musical Biography (1897):

Charles Knyvett, senior: Burke’s Extinct Baronetage (1841); Park, Musical Memoirs (1830); Gentleman’s Magazine (1802, 1808, 1822, 1832).

Charles Knyvett, junior: Smart, Leaves from the Journals (1907); Sainsbury, A Dictionary of Musicians (1824; rep. 1966).

William Knyvett: London Magazine (July-Dec, 1822); An Authentic History of the Coronation of His Majesty (1821); Annual Register (1856).

Deborah Knyvett: Victoria Magazine (1876); Matthew, ‘The Antient Concerts, 1776-1848,’ in Proceedings of the Musical Association (1907); London Magazine (Sept-Dec, 1825); The Quarterly Music Magazine (1818); The Manchester Iris: A Literary and Scientific Miscellany (19 Oct 1822).

Many of these sources are available online at books.google.com. The single most wonderful find of a source is the 1907 article on The Antient Concerts. Reading that I found out why young Belinda had to be smuggled in!

The first part of this post can be found here; anyone wishing to see pictures of the Knyvett quartet, visit the New York Public Library website; the three Knyvett men can also be found at the National Portrait Gallery. Anyone wishing to read the longer version of this article, email me (contact information found under “the author” tab).

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