Letters at Castle Ashby, according to the book The History of the Comptons of Compton Wynyates, put a certain “Miss Stanhope” at the eye of the storm during the lengthy courtship of Emma’s cousin Lord Compton and the eldest of the three Clephane daughters of Torloisk, Margaret Douglas Maclean Clephane, in circa 1813. The girls come into the purview of the Smiths once there is actually an engagement – in 1815! Yes, it took that long; Lord Compton moved at a snail’s pace, even after confessing to his mother that he was wishing to marry Miss Clephane.
It is always so nice when further information appears – especially when from an old book. The Letter-bag of Lady Elizabeth Stanhope is indeed related to the Stanhopes known by the future Lady Compton. She even appears – only once – though under the name “Lady Crompton”.
- volume 1, The Letter-bag of Lady Elizabeth Stanhope
- volume 2, The Letter-bag of Lady Elizabeth Stanhope
[just in case the U of California’s volumes disappear or are incomplete, there are other volumes available; beware of “new” reprints with limited accessibility]
The eldest Miss Stanhope, Marianne, was born on 23 May 1786 “about 7 o’clock in the morning” (writes her mother) in their house in Grosvenor Square, London. She was therefore a few years older than Margaret (born in 1791). It was her brother, whose life we follow through his sister’s letters in The Letter-bag, John Spencer-Stanhope who succeeded father Walter to the estate of Cannon Hall, Yorkshire. Marianne married later in life: March 1828 saw her become the wife of Robert Hudson of Tadworth Court (near Reigate). She died (aged 76) in 1862. [An age Lady Compton (later the 2nd Marchioness of Northampton) never attained. Margaret died in 1830.]
The wonderful silhouette of Marianne comes from the book; and her sisters (and Mother) are also represented!
Anne Stanhope has such a characterful face! She “was born September 7th, 1788, between 6 & 8 in the Morning at Cannon Hall”. Anne never married. She died (aged 72) in 1860.
Isabella Stanhope, their “eleventh Child, was born on the 20th of October 1797, at one in the morning”. She, too, never married. She lived until 1857 (aged 60).
Frances Mary Stanhope, child number 13, was, like her eldest sister, born in Grosvenor Square, “on the 27th of June, 1800, at 1/2 past twelve at Noon”. She lived until the age of 85, and also lived in the state of blessed singleness.
Maria Alicia Stanhope “was born at Cannon Hall,” like several of her sisters, “the 4th of September 1802, 1/2 before seven in the Morning”. Maria died the year before Frances (in 1884), aged 82. She, too, never married.
- Much from the Cannon Hall archives can be found at Bradford’s West Yorkshire Archive Service, including many of the letters included in The Letter-bag of Lady Elizabeth Stanhope – who, by the way, married the heir.
- Claimed as the “bosom friend” of Margaret Clephane, Miss Stanhope and others of the Spencer-Stanhope family appear from time to time in Smith & Gosling family correspondence. Their own correspondence, as edited by A.M.W. Stirling is highly recommended.
Decommissioned from one museum and long “for sale” at a dealer, the portrait of William Ellis Gosling by Sir William Beechey is a star at the El Paso Museum of Art. Now viewers from far and wide can see some up close & personal views of the young babe who became the eldest brother of my diarist Mary Gosling. Click on the picture to watch a short (2 minutes) film on YouTube.
Same sitting, different poseIt seems like ages since I wrote about my own research – though that is NOT to mean I’ve been idle. Indeed I’ve been “beavering away”!
A GREAT influx of letters (diaries too) from several different “deposits” has kept me at the keyboard, transcribing. I try NOT to read a letter or diary until I transcribe it. Bad Luck thoughts make me wonder if I won’t later be able to decipher some word that I easily read earlier! Oh, that would be the worst. So, it’s in the act of transcribing that I LEARN the contents.
I also have a habit of leaving the really hard letters to absolute END. If it’s crossed… If it’s illegible… If it’s a poor image… I leave it till all the easy letters are DONE.
Given that plan of operation, haven’t I found a JEWEL or two among those waiting to be deciphered and read! But that’s news for some next blog post.
I wanted to say here, however, something I wrote recently in an email, about this project, for it brings up a very important point about the decades the project actually covers, which is roughly the 1790s through the 1840s.
I used to use 1842 as an end-date. Mary Gosling, my original diarist – and one of the Two Teens in the Time of Austen (the other being Emma Austen) – died in July of that year. So when first in Winchester, I tried not to look for later material.
By the time I returned to the UK (seven years later), I was willing to go beyond that – but pretty much held to the idea that the end of Mary’s life brought my telling of their story to a close.
THEN: in the summer of 2015, I found photo albums!
Since photography become a norm in and after the 1850s, there was no photo of Mary (Lady Smith). A surprising number of her in-laws, however: Spencer Smith and his wife Frances (née Seymour); Arthur Currie and his second wife Dora (also née Seymour); Richard and Fanny Seymour; and more Seymour siblings. A photo of Eliza Le Marchant (Lady Le Marchant; née Smith), and the familiar face of Sir Denis Le Marchant. Only one photo of Emma Austen Leigh – which I had already seen in a book. The one photo of her husband, James Edward Austen Leigh, was quite evidently the same sitting as the companion photo in the book, but a different pose, so slightly “new information”.
What REALLY got into my brain, however, were images of the CHILDREN! The albums can be traced to members of the Spencer-Smith family. I.e., children of Emma’s brother Spencer Smith – the hyphenated last name differentiated his children from children of their brother Sir Charles Joshua Smith (2nd baronet).
So one son, whom I can trace in photos from youngster to young man, came to carry the name Spencer Compton Spencer-Smith. A bit of a tongue-twister without his middle name! He later adopted his wife’s name, so that late in life he was Spencer Compton Hamilton-Spencer-Smith; a Hamilton-Spencer-Smith son became the 5th baronet, after the death of Charles grandson Drummond Cunliffe Smith.
The twins, Orlando Spencer-Smith and Gilbert Spencer-Smith, are present in almost the same frame of life-span. From youngsters, they become men as the pages turn.
Of the sisters, photos of Dora Spencer-Smith especially, but also Isabella and Augusta, are QUITE prolific. As Mrs. Jenkyns, Dora has a Jane Austen connection all her own: her son married a grand-daughter of Emma & Edward Austen Leigh.
Two cousins have worked their way into my heart because of the photo albums. Daughters of Fanny and Richard Seymour, “Emma and Fanny” grow up before my eyes! It helped that another source had this youthful duo in a family portrait that included their mother – the first photo I ever saw of dear Fanny Seymour (Mrs. Richard Seymour), taken in the 1850s.
There are also, of course, portraits of the Austen Leigh children! So I could confirm a Silvy portrait found online WAS young Mary Augusta Austen Leigh. Same sitting, different pose. And I found Amy Austen Leigh (aka: Emma Cassandra Austen Leigh), whom I had never before seen.
The Currie children and LOTS of various Seymour children – so most of Emma’s nieces and nephews were present. Seeing them all (and having to sort out all those Seymours!) made me more amenable to reading their letters too. So, I’ve slowly expanded my collection of letters through the 1840s and upwards to the 1880s. I’ve gone back to fill in holes, and have more holes to fill. And I’m still searching for material, especially early letters (1790s through 1810s).
Along with the albums, I found ONE letter that really resonated with me.
It was one of those SUPER-crossed, dense, thickly-inked letters. The writer apologized for not taking a bigger sheet of paper, as, in the end, she had too much to say. If ithe letter had been less crossed, I would have gotten to it much earlier! It convinced me I had hitherto overlooked the true, definitive “end” for my project.
BIG “Ah-HA!” moment.
The touchstone became Mamma, Mrs. Charles Smith, Augusta (senior). And the “ah-ha” was the last moments of any member of the Smiths living at No. 6 Portland Place.
Mamma’s 1845 death set her children (metaphorically) adrift; without the London home that had belonged to her, their leave-taking created a pause for reflection. And that leave-taking becomes the event that closes my set of books dealing with Two Teens in the Time of Austen.
To get back to the emailed thought. I told my correspondent:
“Digging about the 1850s, tho I really need to concentrate on the 1810s. It seems SUCH a different world… there’s a lightness to their lives when the children WERE children, that has darkened once they’ve grown and had children of their own. I find them such a thoroughly fascinating family.”
and I hope YOU, dear Readers, feel or will come to feel the SAME about the Smiths and Goslings. They were truly living a dream during the Regency – with travels, trips to exhibitions, evenings at the opera. Some were crossed in love; most married, had children of their own, experienced heartache as a family. Luckily for ME they also remembered, reminisced, and wrote – including those books published by the Austen Leighs: about Early Days of the Vine Hunt (1865), a Memoir of Jane Austen (1869; expanded 1871), and Jane Austen: Her Life and Letters: A Family Record (1913). Especially dear to my heart is the biography of her father written by Mary Augusta Austen Leigh (1911), for Emma and her family figure LARGE in that book. It also drops some tantalizing hints about missing letters and diaries…
Readers of Two Teens will see a familiar face when they check out Wikipedia’s homepage today, during International Women’s Day, Norfolk diarist Mary Hardy:
Mary Hardy is well-represented in Margaret Bird’s excellent transcription, a vast 4-volume set (with an extra volume of out-takes) which is packed with informational notes and evocative illustrations. I am patiently waiting for the companion volumes.
Mary Hardy appears in the following Two Teens in the Time of Austen posts:
- The Diary of Mary Hardy: A 25-year Task – talking with Margaret Bird
- Mary Hardy: Podcasts!
- Diary of Mary Hardy, 1773-1809 – on my other blog Georgian Gems, Regency Reads, Victorian Voices
The University of Brighton has available online its publication, Profiles of the Past: Silhouette, Fashion and Image, 1760-1960.
- Annebella Pollen: Peering into the Shadows: Researching Silhouettes.
- Bridget Millmore: ‘To turn sideways’ – an Examination of the Depiction of Hair and Head Dresses in late eighteen century Women’s Silhouettes.
- Johanna Lance: Cutting an Elegant Figure: the Fashionable Male Silhouette, c1790-1820.
- E-J Scott and Lou Taylor: The Impact of Neoclassicism on Silhouette Art in the late eighteenth century.
- Suzanne Rowland: Fashion, Ageing and Identity in Regency Silhouettes, 1810-20.
- Pallavi Patke: The Silhouette as Portrait and Conservation Piece, late 1830-1840s.
- Gabriella Mihok: Shadow, Dress and Identity, 1890-1914
- Jaclyn Pyper: The Material Culture of Nostalgia: Hubert Leslie, Baron Scotford and Twentieth Century Silhouette Portraiture.
- Annebella Pollen: Silhouettes into the twenty-first century.
Click on the “cover” to obtain download options.
The website itself, discussing 250 years of British Portrait Silhouette history, is also worth exploring. See this page on Silhouette Methods and Materials. Costume enthusiasts and Regency Reenactors will welcome the generous Gallery of silhouettes.
The website also brought me (again) to The Regency Town House website. The link provides information on touring the house, which opens again in April 2017. “The House at 13 Brunswick Square, Hove [UK], is a Regency town house built in the 1820’s as part of Charles Busby’s Brunswick Estate. We are creating an archive and museum focused on the history of Brighton & Hove between the 1780’s and 1840’s.”
I found them both while looking for MORE information about the Smith & Gosling silhouettes done by Auguste Edouart (they may have been among those that Edouart lost in a shipwreck! oh, wouldn’t you know…); see my past post entitled The Shades of Pemberley.
The Vaults are OPENING!
For some time I have been reading about the Georgian Papers Programme. I cannot say I am one to read timelines, and hadn’t realized until author and researcher Charlotte Frost sent me a link: The end of January 2017 produced the first glimpses of this five-year project, which unearths documents from the Royal Archives and the Royal Library at Windsor.
FABULOUSLY, the entire project will be free-of-charge and available Worldwide!
According to the recent press release, by the year 2020 350,000 documents from the Georgian period will be available to researchers, scholars and the general public alike – an estimate is that only 15% of the holdings has ever been published.
It is well worth the effort to find the BBC TV program George III – The Genius of the Mad King, which I found to be a fascinating peep into the early days of this “opening of the archives”. From researchers finding a lock of hair, to a look at Frogmore – the retreat of Queen Charlotte and her daughters, to the cries of Princess Amelia (above) through her letters.
Authorized by Her Majesty Queen Elizabeth II, public access is through the cooperation of the Royal Collection Trust, King’s College London, the Omohundro Institute of Early American History & Culture, William & Mary, as well as other key U.S. institutions such as the Library of Congress, Mount Vernon and the Sons of the American Revolution.
- Read Smithson Magazine’s article on seeing the American Revolution through the Eyes of George III
The documents NOW online are a treat to someone like me, with an eye for the Queen and the royal princesses: The Queen’s diaries have shown me, written in her own hand, that the Queen saw “Miss Meen the Paintress” on the 27 October 1789. This was a fertile period for Margaret Meen – and for her pupils, the four Smith Sisters of Erle Stoke Park, Wiltshire.
- Search for Botanical Paintings @ The Vyne, Kew, and also the Lyndley Library, Royal Horticultural Society
I’ve also read a letter from Queen Charlotte to her husband in which the Walsinghams were mentioned – these are relations of Charlotte Gosling (née the Hon. Charlotte de Grey, a daughter of Lord Walsingham; step-mother to my diarist, Mary Gosling). I’ve recently come across a small group of letters, some of which were written from “Old Windsor”, by Charlotte Gosling’s mother. It’s always exciting to find another side of the same conversation!
The digital items also include documents relating to Lady Charlotte Finch and the children of the royal nursery. I’m sure there are many Jane Austen fans who will LOVE to walk through the Georgian Menu Books. They run to 24 volumes! And include menus from Carlton House, Windsor, St. James, and the Brighton Pavilion. _I_ may even have mention of a few of those parties, in diaries and letters, by those who attended (a thrilling thought).
- Fascinating research projects covering aspects of Georgian life and history; viz: music (Handel), medicine, and the Royal Navy
In short, there is MUCH to explore – and many more items to come!
“With Her Majesty’s full authority, the project is part of Royal Collection Trust’s objective to increase public access to and understanding of primary source material held in the collection.”
A delightful little booklet by Lewis Carroll (Alice in Wonderland) accompanied his invention of the Wonderland Stamp Case. From 1890, it makes amusing observations, which will strike the funny-bone of collectors and readers of Old Letters.
The title of this post comes from Carroll’s Ninth Rule of writing: “when you find you have more to say, take another piece of paper — a whole sheet, or a scrap, as the case may demand: but, whatever you do don’t cross! Remember the old proverb,’Cross-writing makes cross reading‘.
The booklet is entitled, Eight or Nine Words about Letter Writing – though, as you might guess by there being nine “rules”, the nine words should not be taken literally!
His GOLDEN rule (rule No. 1) is one the Mr. Bingleys and Lord Northamptons of fiction and life (respectively) should take to heart: Write legibly.
“A great deal of the bad writing in the world comes simply from writing too quickly. Of course you reply, “I do it to save time.” … but, what right have you to do it at your friend’s expense? Isn’t his time as valuable as yours? Years ago, I used to receive letters from a friend – and very interesting letters too – written in one of the most atrocious hands ever invented. It generally took me about a week to read one of his letters! I used to … puzzle over the riddles which composed it – holding it in different positions, and at different distances, till at last the meaning of some hopeless scrawl would flash upon me, when I at once wrote down the English under it…”
Highly recommended, if your funny bone needs some tickling OR you (like me) read Old Letters that are CROSSED and in an “atrocious hand”.
Although I was too late to actually WATCH (online) this London auction (1 PM GMT, 25 January 2017), I quickly could see what this exquisite little diary SOLD FOR, and listen to the rapid sale of other manuscripts and books.
The sale was enticing advertised as representing “Jane Austen’s England”:
Jane Austen’s England.- [Hicks Beach (Henrietta, wife of Sir Michael Hicks, later Hicks Beach, of Netheravon, Wiltshire and Williamstrip Park, Coln St. Aldwyn, Gloucestershire, 1760-1837)] [Diary & Account Book], printed in red with manuscript insertions, 88pp. excluding blanks, most entries in pencil, a few in ink, pencil sketches of furniture on a few pp., list of novels at beginning and provisions at end, 1f. loose, browned, inner hinges weak, original roan, rubbed, ink date “1789” on upper cover, lacks head of spine, 2 tears on spine, 12mo, 1789. ⁂ Includes numerous references to visits and dinners, including to the Chute family of The Vyne (a country house near Basingstoke), and their relatives, the Bramstones of Oakley Hall, Basingstoke, both families known to the Austen and Hicks Beach families. “Friday 6th February 1789 Mr W Chute came to Dinner…”; “Sunday 13 September 1789 went to the Vine to Dinner… Mr. T. Chute”. Also includes amounts lost and won at cards, payment for wages, items bought, money received from Mr. Hicks and paid to their son, Michael. Other names including, the Pettat family (Rev. C.R. Pettat became Rector of Ashe), Polhill, Musgrave etc. Jane Austen was 14 in 1789 when this diary was compiled. “The Beach and Wither families were well known, and frequently discussed by the Austens at Steventon. When Michael and Henrietta Maria Hicks Beach… lost one of their babies, in 1796, Jane Austen was well enough acquainted with their romantic story to confide to her sister Cassandra, ‘I am sorry for the Beaches’ loss of their little girl, especially as it is the one so like me’ (9 January 1796).” – Chris Viveash. Sydney Smith, Jane Austen, and Henry Tilney, Persuasions: The Jane Austen Journal, Vol. 24, 2002.
I suspect it was once owned by Chris Viveash. OH! how I wish I had gotten online in time to hear the auctioneer say, “Lots of interest in this lot”, (as he undoubtedly did!). The auctioneer goes through lots FAST, yet always the fair warning, which gives just enough time to put in a new bid, IF YOUR WALLET IS THICK ENOUGH.
The successful buyer must indeed have had deep pockets. The estimate was £400-600.
The selling price (which may NOT include the seller’s premium): £1,100!
Few will have heard of the Hicks Beach family – but attach the name “Jane Austen” and it was guaranteed to sell. Did it go to an internet buyer? phone buyer? or “In the Room” — would LOVE to know where it will be heading to, after today.
Would be WONDERFUL to learn that the Hampshire Record Office (Winchester), which has some Hicks Beach materials, or The Vyne – which gets mentions in the diary – was a purchaser. Will we ever learn its fate??
Natasha Duquette, as one of the editors (along with Elisabeth Lenckos) of Jane Austen and the Arts: Elegance, Propriety and Harmony, has recent uploaded some reviews of the book. One, by Audrey Bilger in the journal Women’s Studies, mentions my contribution, the chapter entitled, “‘A Reputation for Accomplishment’: Marianne Dashwood and Emma Woodhouse as Artistic Performers”.
“Kelly M. McDonald examines Marianne Dashwood and Emma Woodhouse in terms of their skill as artistic performers and sees the primary lessons that each heroine needs to learn as being linked to their initial stance as artists: Marianne, who is ‘consumed with interior passions,’ must cultivate restraint; Emma ‘[c]onsumed with exterior experiences’ must develop deeper insight.”
This is a chapter that I have not revisited in the recent past, yet, given my 2016 topic for the JASNA Annual General Meeting that celebrated the 200th anniversary of the novel EMMA, the ‘art’ of Emma is definitely an ongoing preoccupation of mine. (My paper was entitled, “Sketching Box Hill with Emma”, also given to the Vermont JASNA chapter in December 2016.) I found, in revisiting the paper AFTER transcribing more Smith & Gosling family letters in October and November, that I had a few new points to make on the subject.
But to get back to Audrey Bilger’s review of Jane Austen and the Arts…
Being an academic press (Lehigh University Press), Jane Austen and the Arts is currently selling for $30 (used; paperback) and up on Amazon. Bilger’s comments on the book as a whole, include:
- “The editors perceive the arts in the broadest possible way, … encompassing painting, music, dance, and theater, … also judgment, taste, morality and ultimately reading and writing as aesthetically charged activities.”
- “An excellent preface by Vivasvan Soni, ‘Jane Austen’s Critique of Aesthetic Judgment,’ explains the meaning of the book’s subtitle.”
- “most of the contributions are theoretically nuanced, especially with regard to the history of aesthetics.”
- “the book’s focus on the arts illuminates aspects of Austen’s work in fresh ways…. Readers familiar with the Austen canon will appreciate the book’s numerous close readings and textual analysis.”
Another review Natasha posted is by Marina Cano, for The Modern Language Review. Cano recognizes the volume as “a highly interdisciplinary and polyphonic study”. Cano is especially enthusiastic about Jeﬀrey Nigro’s “The Sister Artist: Cassandra Austen’s Portraits of Jane Austen in Art-Historical Context”: “he argues, here Cassandra was experimenting with the artistic conventions of her time”.
Cano concludes, “Jane Austen and the Arts is a valuable collection in its exploration of Austen’s involvement in the aesthetic concerns of her time and in its examination of little-studied materials.”
Looking today at books.google I see Jane Austen and the Arts listed as being in 204 libraries worldwide; maybe one of these is nearby, allowing you, too, to dip your toe. Would love to hear from readers on any and all aspects of the book (ie, you don’t even have to comment on my chapter!).
1/24/2017 UPDATE = see below
On Wednesday 18 January 2017 the LARGE family archive of Alexander Hamilton will be on the auction block at Sotheby’s in New York. Expect the prices to be exorbitant. No “Ham for Ham” ($10) here…
ESTIMATES are in the tens of thousands. Good news for the family; but what institution, even, can afford, item after item, to pay such prices. I, personally, wonder if the archive – together for over 200 years – will be fractured beyond repair of ever being reunited.
Conversely, now that they’ve seen the light of day, will the precious letters and other artifacts be swooped upon by deep-pocketed collectors – bringing up the possibility that these “national treasures” might depart the U.S.
Two Teens readers will recall the embargo the U.K. placed on Kelly Clarkson’s purchase (at auction) of Jane Austen’s ring. Will the U.S. be faced with anything similar (and not over just one item)??
The photo, above, shows TWO of the gut-wrenching articles up for sale: a letter of Eliza Hamilton, and a lock of Alexander Hamilton’s hair.
You can look through the online Catalogue, Alexander Hamilton: an Important Family Archive of Letters and Manuscripts, in order to draw up your own lists of “wouldn’t that be nice to have”.
I know what I’d love to sit and read: Letters to, from, or about the Schuyler Sisters. They fascinate me.
For instance: Lot 1006, Autograph Hamilton letter to Peggy Schuyler, confessing his love for her sister Eliza Schuyler: estimate $15,000-20,000.
Or, the five-page love letter (Lot 1007) from Alexander Hamilton to his “dearest girl” Eliza Schuyler, the earliest surviving letter of his to her: estimate $40,000-$60,000.
Even with the monies the musical Hamilton has brought to composer/star Lin-Manuel Miranda and historian Ron Chernow, even a handful of items could break their banks: Either of them might like General George Washington’s letter appointing Hamilton as his aid-de-camp (Lot 1004). Estimates being up to a cool quarter-of-a-million-dollars means the price could be even higher.
See this “Admiral Lord Nelson’s Bachelor Teapot“, the estimates were £8,000-12,000 – it sold for £56,250!
If your family archive (mine has NONE, I must confess) could fetch money – whether “enough” or “millions”: Would you seek to sell?
I don’t think I could do it. Good thing, then, that I don’t have to worry about it….
Hamilton’s family archives drew a cool $2.6 MILLION once the hammer fell on the last item. Take a look at just ONE “lot” –
LOT 1040 – a group of 17 letters from Philip Schuyler to his son-in-law Alexander Hamilton. Estimate was $30,000 to $50,000. Sold for (with buyer’s premium) $118,750.
Y-o-w-! more than twice the high estimate.
The New York Times offered readers a couple of affecting portraits of potential buyers: an 11-year-old from Manhattan, Zack Pelosky, had bid on a “low-ticket item,” which ultimately went to a phone bidder for $1,500. Joanne Freeman, “a Hamilton expert at Yale,” who has been studying duel culture, bid on a fragment of a Hamilton 1795 will – and was likewise outbid. Or, as author Jennifer Scheussler’s Hamilton-reference quoted: the Professor was “outgunned”.
Imagine! a writer and historian hopeful of a piece reminiscent of the very person studied… only to have the hopes dashed. From the article, it was obvious that the auctioneer had been on young Zack’s side, too.
An Angelica Church (née Angelica Schuyler) letter went for $50,000 – “more than ten times the estimate”. The disparity argued away by, “there’s no way that someone who saw the show [Hamilton] made that estimate”.
A note for people like me who wished the archive had gone wholesale to a repository: The Gilder Lehrman Institute of American History evidently came out as a heavy-hitter (or, should I say heavy-bidder).
Scheussler’s overall take: “It’s official: Alexander Hamilton now out-earns his boss [George Washington].”
CNN’s report on the auction mentions the sale of the lock of Hamilton’s hair: $37,500. Keep in mind that hair, an exceptionally personal item, was exceptionally popular as a remembrance – of the living as well as the dead – in this period. I see MANY locks of hair in my own research – though I do wish I’d come across some of the Mourning Jewelry Smith & Gosling letters mention!
As someone who is working to put back together the disparate sides of a voluminous correspondence, a pang enters my heart when I read a quote from Selby Kiffer of Sotheby’s: “What is so unusual about this is it’s a cohesive integral whole that’s survived since the 18th century. The pieces interrelate and inform each other. It’s rare to have correspondence back and forth.” Only the future – and further writers on Hamilton and family – will tell us where all these items ended up. Fingers crossed that access to the items (especially letters!) whether opened or closed before are open to examination from now on. Manhattan fans evidently did take the opportunity to SEE the archive, during the week-long exhibition prior to the auction.
Other articles on the Results of the Hamilton auction at Sotheby’s:
- Antiques and the Arts
- on set-designer David Korin’s thoughts about “touching” Hamilton memorablia
- even eBay has a page about the auction items
That last brought up a thought that hadn’t before entered my brain: who purchased with the intent of RE-SELLING and making MORE money?
I say that because of one item in the Smith & Gosling universe. I have blogged about miniatures being sold several times, including a link to the brother of Susan Mackworth Smith (Emma Austen’s great aunt): Vice-Admiral Bulkley Praed, sold at Bonhams in 2011 for £1250. I remember being SHOCKED seeing it BACK up for sale at like twice the price almost immediately.
Wouldn’t Joanne Freeman or Zack Pelosky lose heart if they saw their pieces back on the market – or, on eBay – like some scalped theater ticket.
It dawned on me last week what _I_ would have done, had I been a Hamilton descendant: I would have opened a museum, where those in love with the musical, history, Hamilton – the Schuyler Sisters – or even Aaron Burr could have paid to spend a little time in the presence of these people. Here’s hoping for public access, and that this is not the “end” of the Hamilton Papers’ Saga.
Gotta wonder: did Chernow or Miranda come away with any souvenirs?