Desperately Seeking “addressed to Lady Seymour”

May 23, 2016 at 8:56 am (history, news, people, research) (, , )

An internet search brought up the following for a former eBay auction – trouble is I have NO CLUE as to the date of the auction — recent? really old? The date of the letter is less in question, 1861 – though no day or month.

ebay auction

The original description read:

“Addressed to Lady Seymour. Stamp has been cut out leaving part Southampton cancel with Botley & part Berkhamsted CDS’s on back. 4 page partly cross hatched letter.”

Would LOVE images of the letter (so I can transcribe the contents) – in exchange for information on the recipient and/or writer. The “Lady Seymour” in question undoubtedly is Maria Culme Seymour (née Smith), Emma Austen’s youngest sister.

Maria L Seymour

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Sotheby’s Silver Secret

May 22, 2016 at 8:03 pm (entertainment, history) (, , )

Click on the photo to read the history behind this pair of Candelabra, dating from the era of George IV – They once belonged to Denis and Eliza Le Marchant! Oh, the parties this pair must have witnessed…

Le Marchant Candlesticks

Sold at auction in December 2007, the price as the hammer dropped was £94,100. Do not hesitate to take a closer look with the “zoom” feature.

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Burney, Evelina, Thomson

May 19, 2016 at 8:11 pm (books, entertainment) (, , , )

The LIBRARY TIME MACHINE travels through EVELINA, in a wonderful blog post that celebrates the artistry of Hugh Thomson. I was especially struck by the idea that drawings in 19th century books seem akin to today’s graphic novels!

If you’ve little time for Fanny Burney’s “classic” novel, Dave Walker will lead you through a sampling of the Thomson drawings and Burney’s “History of a Young Lady’s Entrance into the World”.

evelina_thomson

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Old Artists, Faded Art

May 15, 2016 at 7:01 pm (books, portraits and paintings) (, , , )

One of the most difficult things to accomplish is the identification of portraits. Too many portraits who remain unnamed.  Merely, “Portrait of a Gentleman” or “Portrait of a Lady”.

Ross_a Lady-closeup

Also “unnamed” – sometimes – are the small-scale artists. For instance, I have a will which gave the TANTALIZING news that family portraits existed (at least up to 1814). But who was the painter?

family pictures

“all the Family Pictures painted by Mr. Fold[s…]”

For the life of me I could NOT read the last few letters of the name…

But, while researching for my upcoming article on James Boswell and the city of Chester, I came across this book – and offer it as an excellent place to look up some SMALL Artists, a DICTIONARY of exhibitors from The Society of Artists of Great Britain and The Free Society of Artists, compiled by Algernon Graves (published in 1907):

society artists

I’ll give a special prize to the first reader to email me (smithandgosling [dot] gmail [dot] com) with the ONE exhibitor of paramount interest, a Smith & Gosling relative, who appears in Graves’ line-up.

NB: the artist’s name in the will extract may be John FOLDSONE (father of Anne Mee). Foldsone was described in 1808 as “A painter of portraits in oils, small heads, of no great merit, but with sufficient likeness to procure much employment at a small price. His practice was to attend his sitters at their dwellings.” (He was not alone in this practice, actually.)

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The Handwriting on the Will

May 5, 2016 at 9:15 pm (history, research) (, , , , )

I have become CONSUMED with getting more and more Smith & Gosling material, and that has included the dreaded WILLS of even earlier ancestors. The one thing that has proven to be a help? The old wills means I have some earlier orthography, which often helps with the segue into “modern” spelling. The same holds for the earliest handwriting! I even READ some wills I downloaded from The National Archives five or six (or more…) years ago.

So while I thought to share a particularly fabulous hand, I chose this one because its (currently) the earliest example I have – although it is almost (ALMOST!) modern in its legibility.

elsewhere

The give-away: the first word; otherwise, doesn’t it rather look like a child writing?

Just in case you’re unsure what it says: Elsewhere in the Kingdom of England

Yes, this particular document has a most unusual (to me) ‘s’, which makes the first word look rather like Elfewhere… My document dates from 1726. And is related to family of my diarist Mary Gosling.

I’ll talk more about this document, which I’m just transcribing. In the meantime, I introduce you to palaeography on The National Archives website – which provides a delightful interactive tutorial.

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A trove of old letters

April 27, 2016 at 9:41 pm (books, history) (, , , )

Gotta love a book that begins,

“Years ago I found a trove of old letters. I found them in a broken-down steamer trunk buried under moldy blankets in a dilapidated shed attached to a decrepit row house.”

These words open the 2014 book Nina Sankovitch entitled, Signed, Sealed, Delivered: Celebrating the Joys of Letter Writing.

Although I’ve heard of her Tolstoy and the Purple Chair, it was a blog post about LETTERS that brought me to this later book. For the Love of Bookshops wrote about the genesis of Sankovitch’s “next” book:

old letters

Like Erin (the bookstore-loving blogger), I too cannot believe the “luck” of such a treasure trove. And, it’s addictive! The more I find on my Smiths & Goslings, the more I want to find.

Sankovitch’s “find” rather reminds me of the beginning of Célestine. Although Gillian Tindall’s trove was a handful of letters, the fascinating history of young Célestine, a French woman, made for a stupendous read and an enthralling untangling of someone’s past. Nina Sankovitch’s stash turned out to be early 20th century: a mother & son correspondence. Thanks goodness the letters found a home!

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I’m Curious: The Connoisseur

April 24, 2016 at 8:36 pm (books, entertainment, history, portraits and paintings) (, , , , , )

I’m curious to find out if any Two Teens readers know of ANY publication comparable to an old journal called The Connoisseur. This magazine ceased publication in 1992, but throughout much of the twentieth century it catered to an audience interested in art, portraiture, heraldry, genealogy, antiques, furniture, lace, books – and Notes & Queries from readers!

I have a copy (online) from 1915. It is absolutely FASCINATING!

  • February 1915 features “Some Unpublished Lawrence Portraits”
  • two unidentified portraits in a private collection, wanting to be ID’ed
  • “Notes on Wincanton Delft”
  • answers to earlier unidentified paintings
  • and “notes” on Rowlandson drawings

connoisseur

I’d be interested to learn if ANYTHING even remotely similar is out there, in print or online. It must indeed have offered a unique “given-and-take” for collectors, as well as those (like me) who just have an interest — or a burning desire to uncover things currently shrouded in mystery. Like more letters, diaries, or portraits of my dear Smiths & Goslings!

Between it’s articles and its queries, The Connoisseur: a magazine for Collectors must indeed have been a “crowd-sourced” pleasure to see on the newsstand or in your mailbox.

Here’s what I’ve quickly found, and hope you derive as much pleasure perusing their pages as I have:

* **

Things of beauty“: a 2014 blogger discusses the lure of the Connoisseur.

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Naval Journal, 1858-1859

April 6, 2016 at 6:22 pm (diaries, history, news) (, , , )

rawson journal

As always, finding an item LONG after it’s been sold at auction. Today’s find was this journal, written by Harry Holdsworth Rawson, aboard HMS Calcutta. Of interest to ME because young Rawson (only fourteen years old) was under Admiral Sir Michael Seymour, Richard Seymour’s brother. Richard’s diary, of course, has mention of his seafaring brother (and the wife & children left behind in England) – but, like mentions of his father (also Sir Michael Seymour), they are mainly of leaves or letters.

I’ve heard a little about Michael on shipboard, mainly because some of the children of Richard Seymour and John Culme-Seymour were aboard with him. How thrilling to hear of such a precious relic.

Would be interested to hear if anyone knows the present whereabouts of this journal, sold at Bonham’s on 19 March 2014.

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John Bull

March 27, 2016 at 5:35 pm (entertainment, history) (, )

john bull title image

“For God, the King, and the People”

Welcome to Summer time, Britain!

(clocks forward in UK on Easter Sunday, 2016)

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Celebrating UNDER-RATED Women!

March 6, 2016 at 8:55 pm (books, europe, history, people) (, , , )

March is Women’s History Month – and author Charlotte Frost has given me a boot in the rear by giving me notice of a New Book and a hitherto unseen History Blog.

The Blog is History in the Margins. “A Blog about History, Writing, and Writing about History.” Recent posts have discussed “Confederate Nurses”, new books (including a tie-in with the PBS series Mercy Street), and of course the New Book I mentioned at the top of the page.

marie von clausewitzMarie von Clausewitz:
The Woman Behind the Making of On War

What is MOST striking, is the informative interview with the author Vanya Eftimova Bellinger, on History in the Margins. Some wonderful moments, like seeing she has a connection to Norwich University (a short-ish drive from where I live) to the vicarious *THRILL* of some letters just turning up! She also touches upon the thoughts that resonate with ME about the “why” behind such thing as Women’s History Month.

Women from the past MATTER. And the more women whose lives are dusted off and introduced, the more the realization will grow that WOMEN have voices, and they have IMPORTANT things to say.

Marie von Clausewitz sounds a woman so like the Smiths & Goslings: she SAVED everything. But: a miracle when one realized (200 years later) that these items STILL exist!

My Sunday today began with remembering a Clephane relative of Margaret (Lady Compton, Emma’s cousin-in-law) was fighting on the British side during the American Revolutionary War. Today ends with anticipating a good read about a German woman, a patron of the arts, a writer whose best known work has only her husband’s name on the cover.

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